Talk about all-star groups – this quintet date matches together vibraphonist Gary Burton with pianist Chick Corea, guitarist Pat Metheny, bassist Dave Holland, and drummer Roy Haynes. Burton and Corea have recorded frequently through the years, while Metheny gained some early fame working with Burton; Holland was with Corea in Miles Davis' late-'60s group, and Haynes was formerly with both Burton and Corea. However, not all of these musicians had played together before – Corea had never worked with Metheny previously, nor Burton with Holland.
Given the heartbreaking context in which this album was released – this was the final recording by saxophonist Michael Brecker, who died of myelodysplastic syndrome and leukemia only a few months before its release – there might be a certain temptation to cut it some slack for sentimental reasons. However, leniency is hardly needed. Leading a group comprised of jaw-dropping talents (pianists Herbie Hancock and Brad Mehldau, guitarist Pat Metheny, bassist John Patitucci, drummer Jack DeJohnette) and playing for the first time a program consisting entirely of original compositions, Brecker delivers an emotionally rich and startlingly powerful album of straight-ahead modern jazz that will stand as his musical epitaph and will effectively confound anyone who has ever been tempted to dismiss him as a mere jazz-pop fusioneer.
Percussionist Trilok Gurtu comes from a long line of respected Indian classical musicians, but he's best known for his genre-blending fusions of world music and jazz. Crazy Saints is one of his most complex and challenging releases to date, enlisting the aid of jazz legends like guitarist Pat Metheny and Joe Zawinul to create a thoroughly modern sound that moves from razor sharp ensemble work to dizzying solos. The most effective songs are those that mine Gurtu's myriad world music influences, including "Manini" and "Blessing in Disguise," both of which are blessed with the haunting vocal ululations of Indian music legend Shobha Gurtu, the drummer's mother. The genteel balladry of "Ballad for 2 Musicians" and the excessive ambient noodling of "The Other Tune" may tax the patience of those with a lower tolerance for modern jazz wankery.
Lyle Mays waited a long, long time before straying from the Pat Metheny Group to issue his first solo album, but when he did, the results were at once removed but not totally untethered to the Metheny sound and feeling. On his own, Mays' synthesizer solos and textures are close in sound to what he was doing in the Metheny group, but the turns of phrases in his acoustic piano solos reflect the heavy shadow of Keith Jarrett.
Inner Ear Brigade is a ayoung american prog band who just releases their first album named Rainbro not long ago at italian label Altrock. Very nice surprise this album , it sounds quite avant prog to me with some jazzy moments here and there, with some great moments like on opening track Knee, Oomp Pah , Missing the train or the longest track 25 Miles to Freedom with nice female vocals made by Melody Ferris with tenacious sax playing by Ivor Holloway combined with groovy guitar parts and great mellotron arrangements in the mix, very nice overall.