Buika is a critically acclaimed jazz-influenced flamenco fusion singer from Spain who broke through to mainstream success in 2006 with her second solo album, Mi Niña Lola. Born Concha Buika in 1972 in Palma, a city on the Balearic Island of Majorca, Spain, she is the daughter of a political exile from the former Spanish colony Equatorial Guinea, a small country in Africa. Influenced by her mother's love of jazz, she began her singing career in the clubs of Majorca and the neighboring Balearic Island of Ibiza. She also performed in Las Vegas for a while.
On Sanctuary drummer/composer Matt Slocum unleashes lovely, inspiring missives that could compel you to imagine a world in which peace, kindness and solace prevail – his music comes from an unsullied place, where the music is all that matters. And, he has a sound! An inviting, burnished sound as pure and effervescent as water streaming from high peaks that reveals itself as much through his compositional output as it does through his choices behind the drums.
Lyle Mays' second solo album ventures even further afield than his acclaimed first record, into areas not associated with Mays nor his employer Pat Metheny. This time, the personnel list is far more varied, with several guest luminaries from the world of jazz-rock, as well as a big band and full chamber orchestra on some selections. Again, the main thrust of the album is bound up in a lengthy suite with new age atmospheric elements, juxtaposing fleet Brazilian grooves with a chamber orchestra, voluble Mays piano solos, and electronic interpolations by Mays and Frisell reminiscent of early classical electronic music.
Belfast trumpeter Linley Hamilton realised a long-held ambition in 2019 when he put together this new quintet featuring two heavyweights of US jazz: Mark Egan, who rose to fame as the bassist with the original Pat Metheny group; and Adam Nussbaum, one of the most respected drummers of his generation who has played with Michael Brecker and John Abercrombie.
Bill Stewart is the furthest thing from a basher. His taste and intelligence and counterintuitive relationships to time have made him a favorite drummer of people like John Scofield and Pat Metheny. In press notes, the genesis of Space Squid is described: “Stewart had some new compositions that he wanted to record.” Such a motivation is no doubt common, but does not always lead to albums that convey a deep reason to exist, or that feel like unified works.