Ornette Coleman's epic 1959 LPs The Shape of Jazz to Come and Change of the Century were pivot points in modern post-bop jazz and early creative music. This recording is a prelude to those epics, a live two-night engagement in October of 1958 at the Hillcrest Club in Los Angeles. The Coleman quintet, with trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, plus a then-young pianist Paul Bley, sets up that new shape of jazz. This eight-selection set features three of Coleman's signature originals, two standards, and three lesser-known, fairly rare pieces that Coleman did at the time.
Jazz Icons: Art Farmer highlights an amazing one hour Art Farmer concert from 1964 featuring the great flugelhornist in his prime. Farmer’s top-notch band includes legendary guitarist Jim Hall (fresh from Sonny Rollins’ band), drummer Pete LaRoca and Steve Swallow on bass. This legendary ensemble plays both standards and originals with ease and finesse and highlights why Farmer was considered one of the most innovative horn players in all of jazz.
Juno-winning saxophonist Chet Doxas is a guiding voice in the world of creative improvised music. Doxas, co-leader of Riverside with trumpeter Dave Douglas and a respected collaborator of Carla Bley and Paul Bley, joins Whirlwind for You Can’t Take It With You, his ninth album as a leader and first at the head of a trio. He’s joined by two stand-out collaborators, Ethan Iverson (piano) and Thomas Morgan (bass) – for a meticulously constructed album with playful positivity at its heart.
Mercury Records produced a smattering of big band, dixieland and modern jazz from its inception in 1945 until 1953. Then producer Bob Shad was given a free rein to sign artists and the label began to carve a niche as a major player in the jazz world.
Cd attached to the Italian Jazz magazine (January 2020). On the CD attached to Musica Jazz of January 2020, the winners of all the categories of the last edition of Top Jazz.