Paul Bley

Paul Bley Trio - Ballads - mp3 128 - 1971 [ECM 1010]  Music

Posted by peter happy at Oct. 10, 2008
Paul Bley Trio - Ballads - mp3 128 - 1971 [ECM 1010]

Paul Bley Trio - Ballads [ECM 1010]
MP3 128 | 29,8Mb | RS.com
ECM | Jazz

Jazz :: Paul Bley, Gary Peacock. “Mindset” (1992)  Music

Posted by isp4 at Oct. 29, 2005


Paul Bley, Gary Peacock
Mindset

1992


Genre: Jazz
Full Size: 106 MB (111 606 411 bytes)
Bitrate: 192 kb/s
Duration: 01:17:24

Paul Bley: Open, to love [1973]  Music

Posted by Alexix at Aug. 24, 2007
Paul Bley: Open, to love [1973]

Paul Bley: Open, to love [1973]
Jazz | PT 42:58 | FLAC 156 Mb | MP3 320k 104 Mb | Full scan

Paul Bley With Gary Peacock [1970]  Music

Posted by Alexix at Sept. 17, 2007
Paul Bley With Gary Peacock [1970]

Paul Bley With Gary Peacock [1970]
Jazz | PT 33:34 | Flac 181 mb | MP3 320k 81 Mb | Full scan
Paul Bley, Gary Peacock, Tony Oxley, John Surman: In the Evening Out There

Paul Bley, Gary Peacock, Tony Oxley, John Surman: In the Evening Out There
Jazz | PT 56:12 | Flac - 218 Mb | Mp3 320 - 135 Mb | Covers(LQ)
Released date 1993 | Label ECM


Paul Bley, Gary Peacock, Paul Motian "Not Two, Not One" (1999) | VBR | 87 Mb


Pastorius / Metheny / Bley / Ditmas - "JACO" (1974) (1994)  Music

Posted by mfrwiz at March 2, 2009
Pastorius / Metheny / Bley / Ditmas - "JACO" (1974) (1994)

Pastorius / Metheny / Bley / Ditmas - "JACO" (1974) (1994)
Flac Individual Files: 235 Mb | Mp3 (320 Kbps): 84.3 Mb | Original Release Date: June 16, 1974 | Label: Jazz Door
Audio CD (February 21, 1994) - ASIN: B000003ZW9 - Jazz, Post Bop, Fusion

Giuffre / Bley / Swallow - Conversations With A Goose (1996)  Music

Posted by v3122 at Nov. 20, 2018
Giuffre / Bley / Swallow - Conversations With A Goose (1996)

Giuffre / Bley / Swallow - Conversations With A Goose (1996)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Soul Note Records, SN 121 258-2 | ~ 207 or 139 Mb | Artwork(jpg) -> 59 Mb
Contemporary Jazz

Jimmy Giuffre, Paul Bley, and Steve Swallow had reunited four years prior to this recording session before a live and very enthusiastic audience. On this date, they had been touring together on and off for four years and were as telepathic as in 1961 when they recorded Fusion and Thesis with Creed Taylor at Verve (yeah, the same guy who aesthetically ruined Wes Montgomery and Grover Washington, Jr.)…

Paul Motian - ECM Selected Recordings (2004) {ECM Rarum XVI}  Music

Posted by tiburon at May 1, 2018
Paul Motian - ECM Selected Recordings (2004) {ECM Rarum XVI}

Paul Motian - ECM Selected Recordings (2004) {ECM Rarum XVI}
EAC 0.95b4 | FLAC tracks level 8 | Cue+Log+M3U | Scans 300dpi | 375MB + 5% Recovery
MP3 CBR 320 Kbps | 154MB + 5% Recovery
Genre: Avant-Garde Jazz, Post-Bop

Master drummer, composer, and bandleader Paul Motian's volume in ECM's fine Rarum series is a tough one to reconcile. It's not that it is in any way disappointing – far from it. It's more a case of what to choose and how an artist's choices are made when there is so much material to choose from. Motian has played as a sideman and as a leader for the label since he was first approached by Manfred Eicher in 1972. The nine tunes here range from that year's Conception Vessel, his debut album as a leader with Keith Jarrett, to a 1985 Paul Bley Quartet date on which he guested along with Bill Frisell and John Surman. While Motian did appear on the ECM label during the 1990s, none of that material was chosen. The 13 years that are reflected here are rich in not only musical diversity but cultural acumen.

Carla Bley - Night-glo (1985) (New Rip)  Music

Posted by gribovar at Jan. 7, 2025
Carla Bley - Night-glo (1985) (New Rip)

Carla Bley - Night-glo (1985)
EAC Rip | FLAC (tracks+.cue+log) - 172 MB | MP3 CBR 320 kbps (LAME 3.93) - 86 MB | Covers - 16 MB
Genre: Jazz, Smooth Jazz, Big Band, Fusion | RAR 3% Rec. | Label: ECM Records/Watt Works (WATT/16)

Though Heavy Heart was supposedly the "mellow, sensual" album Carla Bley had in mind, Night-Glo is more like it - a relaxed, easygoing, easy-listening series of compositions that nearly spills over into fuzak. Writing for a basic sextet with an added five-man horn section, most effectively when one color melts gently into another, Bley permits the lazy pina-colada mood to amble undisturbed from track to track. Hiram Bullock's guitar, whether in rock or jazz modes, almost defines the laid-back ambience all by itself; Steve Swallow's bass underpins the relaxed groove and velvety horn textures (Randy Brecker is the trumpet voice there); and Paul McCandless can be heard on a variety of single- and double-reed wind instruments. It's a pretty album, always intelligently made, but interminable at times - most noticeably on the aptly named "Rut."