To this day, Another Perfect Day remains one of the most unique (albeit misunderstood) albums in the entire Motörhead catalog. The band's first effort sans legendary axe-meister "Fast" Eddie Clarke (following six albums, of which at least three are still considered timeless classics), Another Perfect Day would be the band's only outing with onetime Thin Lizzy axeman Brian "Robbo" Robertson. Clearly a nervous musical marriage from the start, the album captures Motörhead mainstays Ian "Lemmy" Kilmister and "Philthy Animal" Taylor struggling to adapt their raw power and unparalleled distortion to Robertson's more mainstream hard rock instincts and melodic tendencies…
At the End of a Perfect Day is a title that is all too apropos, since the music that fills the album is comprised of mellow ballads that are both relaxing and serene. The songs are typical of his soothing style, sung in de Burgh's suave demeanor making their simplistic makeup sound that much better. Without the narrative allure found in Spanish Train, de Burgh uses his haunting voice to enhance these average-sounding pieces, resulting in only a couple of mediocre standouts. The charming "Broken Wings has de Burgh's lonely voice fluttering amidst lyrics about his lost love. While the words may seem a little honeyed, his sedating air throughout the song's entirety is front and center.