Ten years is a long time, especially in pop music, but waiting ten years to deliver an album is a clear sign that you're not all that interested in the pop game anyway. Such is the case with Peter Gabriel, who delivered Up in 2002, a decade after Us and four years after he announced its title. Perhaps appropriately, Up sounds like an album that was ten years in the making, revealing not just its pleasures but its intent very, very slowly. This is not an accessible record, nor is it easy to warm up to, which means that many may dismiss it upon a single listen or two, never giving it the time it demands in order to be understood (it does not help matters that the one attempt at a single is the ham-fisted, wrong-headed trash-TV "satire" "The Barry Williams Show," which feels utterly forced and out of place here, as if Geffen was pleading for anything resembling a single to add to the album).
Almost every one of Peter Gabriel’s best-laid plans winds up going awry, and so it was with Scratch My Back, his 2010 collection of orchestral covers of some of his favorite songs. He had hoped to have the artists he covered return the favor by interpreting his songs but that project never got off the ground, so he pursued New Blood, an album where he turned that orchestra upon his own songs. New Blood is in every way a companion piece to Scratch My Back; it’s cut from the same aesthetic cloth, it's austere and cerebral without being chilly, it finds emotion within intellect.
Live Blood' CD containing highlights of his live performance at London's Hammersmith Apollo in March 2011.
Peter Gabriel has released Flotsam and Jetsam, a collection of b-sides and rarities spanning his lengthy solo career.
25 years ago, Peter Gabriel unleashed one of the defining albums of the ’80s, the quintuple-platinum-selling SO. The album contains hits like “Sledge Hammer,” which holds the record for the most played video on MTV, the poignant Kate Bush vehicle “Don’t Give Up,” and “In Your Eyes,” familiar to many for it’s iconic placement in the movie Say Anything. This limited edition deluxe box set comprises the remastered So album, the 2CD Live in Athens 1987 album, and a So DNA CD – which gives a unique insight into the writing and recording of So, experienced via a track by track evolutionary process leading you from the early moments when rhythms, melodies and lyrical ideas were discovered through the various stages of song development and recording. Also included are two previously unreleased DVD’s : Live in Athens 1987, directed by Michael Chapman, with executive producer Martin Scorsese.
PLAYS LIVE is the sound of a man finally freeing himself definitively from the shackles that had bound him for years. Admittedly those shackles, being front man for Genesis, one of the most fascinating and consistently creative prog-rock bands of the early '70s, were hardly severe. But they were a constraint nonetheless. (How often could Peter take some fan screaming "Suppers Ready" when trying to debut new material?) Finally, with a substantial body of solo material (four albums, three of them titled PETER GABRIEL), Gabriel was ready to put the ghost of Genesis to rest…