Peter+gabriel

Peter Gabriel's first foray into soundtracks was for Alan Parker's contemplative film Birdy and is a successful companion piece, providing a backdrop that is moody and evocative. Nearly half of the album's dozen tracks incorporate threads from material found on Gabriel's 1982 Security set, including "Close Up," which makes use of keyboard passages from "Family Snapshot," and "The Heat," which is a reworking of "The Rhythm of the Heat" and builds to a frenzied percussive crescendo…

Passion is in actuality Peter Gabriel's soundtrack to the Martin Scorsese film The Last Temptation of Christ, retitled as a result of legal barriers; regardless of its name, however, there's no mistaking the record's stirring power…

Six years after earning his first blockbuster, Peter Gabriel finally delivered Us, his sequel to So. Clearly, that great span of time indicates that Gabriel was obsessive in crafting the album, and Us bears the sound of endless hours in the studio…

Security – which was titled Peter Gabriel everywhere outside of the U.S. – continues where the third Gabriel album left off, sharing some of the same dense production and sense of cohesion, yet lightening the atmosphere and expanding the sonic palette somewhat…

OVO is the soundtrack to the Millennium Dome Show in London that was composed by the English rock musician Peter Gabriel. It was his eleventh album overall. It was released on 12 June 2000 and features guest vocals by Neneh Cherry, Rasco, Richie Havens, Elizabeth Fraser, and Paul Buchanan (of The Blue Nile). Two versions of the album were released, a standard version which was sold in stores and a limited edition deluxe version, which was sold only at the Millennium Dome and petergabriel.com. The deluxe version which was discontinued after 2000, includes a comic book telling the OVO story and a bonus disc with the track, "The Story of OVO".

Peter Gabriel's first foray into soundtracks was for Alan Parker's contemplative film Birdy and is a successful companion piece, providing a backdrop that is moody and evocative. Nearly half of the album's dozen tracks incorporate threads from material found on Gabriel's 1982 Security set, including "Close Up," which makes use of keyboard passages from "Family Snapshot," and "The Heat," which is a reworking of "The Rhythm of the Heat" and builds to a frenzied percussive crescendo. Material specially written for this project includes the murky opening track, "At Night," the tribal "Floating Dogs," and "Slow Marimbas," a track that would become part of future live performances. The fact that Birdy comprises all instrumentals means that listeners whose familiarity with Gabriel is limited to "Sledgehammer" and "In Your Eyes" will be largely disappointed. However, its meditative nature makes it fine, reflective listening for the more adventurous.

The latest addition to the acclaimed & award winning Classic Albums series tells the story behind the making of Peter Gabriel's 1986 album So. It was Gabriel's fifth solo album and the first one to have a title (the others all having just been called Peter Gabriel ). The album spawned a number of hit singles on both sides of the Atlantic including Sledgehammer, Big Time, Don't Give Up (a duet with Kate Bush) and In Your Eyes which drove So to multi-platinum sales, the No.1 spot in the UK and No.2 in the US…

Six years after earning his first blockbuster, Peter Gabriel finally delivered Us, his sequel to So. Clearly, that great span of time indicates that Gabriel was obsessive in crafting the album, and Us bears the sound of endless hours in the studio. It's not just that the production is pristine, clean, and immaculate, it's that the music is, with only a handful of exceptions (namely, the "Sledgehammer" rewrite "Steam" and the fellatio ode "Kiss That Frog"), remarkably subtle and shaded. It's also not a coincidence that Us is, as Gabriel says in his liner notes, "about relationships," since the exquisitely textured music lets him expose his soul, albeit in a typically obtuse way.

Passion is in actuality Peter Gabriel's soundtrack to the Martin Scorsese film The Last Temptation of Christ, retitled as a result of legal barriers; regardless of its name, however, there's no mistaking the record's stirring power. Like much of Gabriel's solo work, the album is a product of his continuing fascination with world music, which he employs here to create an exceptionally beautiful and atmospheric tapestry of sound perfectly evocative of the film's resonant spiritual drama; inspired by field recordings collected in areas as diverse as Turkey, Senegal, and Egypt, Passion achieves a cumulative effect clearly Middle Eastern in origin, yet its brilliant fusion of ancient and modern musics ultimately transcends both geography and time.