Peter.rabbit.2018

Feature adaptation of Beatrix Potter's classic tale of a rebellious rabbit trying to sneak into a farmer's vegetable garden.

Peter Rabbit is a 2018 3D live-action/computer-animated comedy film, based upon the character of the same name created by Beatrix Potter, directed by Will Gluck, and co-written by Gluck and Rob Lieber.
A sequel, Peter Rabbit 2: The Runaway, was released in Australia on March 25, 2021, in the United Kingdom on May 17, 2021, and in the United States on June 11, 2021.Dominic Alexander Charles Lewis is a British film and television composer. He first worked on various music departments for film projects before transitioning into more solo work starting with Free Birds. His other credits includes The Man in the High Castle, DuckTales and Peter Rabbit.

Dominic Lewis is reuniting with director Ari Sandel on the upcoming horror comedy Goosebumps 2: Haunted Halloween. The film starring Wendi McLendon-Covey, Madison Iseman, Jeremy Ray Taylor, Caleel Harris, Chris Parnell and Ken Jeong tells a new story based on R. L. Stine’s best-selling series of book. Rob Lieber (Peter Rabbit) wrote the screenplay. Deborah Forte (Mortal Engines, The Golden Compass) and Neal H. Moritz (Fast & Furious series, 21/22 Jump Street) are producing the project. Lewis has previously collaborated with Sandel (When We First Met) on the 2015 comedy The DUFF. Danny Elfman has scored the original 2015 Goosebumps movie. Goosebumps 2: Haunted Halloween is set to be released on October 12, 2018 by Sony Pictures.

It’s pretty tough to leave the world of Blueflowers once the song starts. You may not want to. The Detroit-based outfit set the mood, they dim the lights, they spark the projector and they transport the listener. Led by the husband/wife songwriting-duo of singer Kate Hinote and guitarist/producer Tony Hamera, Blueflowers evoke a noir-drenched neverland clouded by a surreal, cinematic haze of reverb.

According to her brief liner notes, Patti Smith indulged the idea of a covers album, considering songs as far back as 1978 on the back pages of Jean Genet's Thief's Journal when she was still assembling her groundbreaking early catalog; it's evident she feels that covers have been part and parcel of her recording experience from the outset.