Now comes a remarkable set, sure to be cherished by Ochs fans and followers, Phil Ochs, The Best Of the Rest: Rare and Unreleased Recordings, which comes out on CD on May 22nd. It consists of many demos he made for Warner-Chappell music which have not been heard by the public ever, some of songs that he recorded on his albums, but also many of songs never recorded and unknown.
Phil Miller is an English progressive rock/jazz guitarist who is part of the Canterbury scene. In addition to his solo work, he has played in Hatfield and the North, National Health, and Matching Mole. He has released a number of solo albums, some with his group In Cahoots.
After the demise of National Health, he began preparing for a solo career that began with "Cutting Both Ways" (1987) and continues to this day. This was the first album released under his own name, and the first album to feature his band In Cahoots, who are pretty much of a supergroup themselves: Hugh Hopper - bass (Soft Machine), Elton Dean - saxes (Soft Machine), Peter Lemer - keyboards (Gilgamesh, Mike Oldfield, Pierre Moerlen's Gong) & Pip Pyle - drums (Gong, Hatfield, National Health)…
Since Phil Lynott's Grand Slam never issued an album during their brief career, some assume that the group never saw the inside of a recording studio. But as proven by the double-disc set, Studio Sessions, this assumption is false. Compiled from tapes from the group's keyboardist, Mark Stanway, Grand Slam saw Lynott attempting to update Thin Lizzy's guitar-driven hard rockin' style, with more of an emphasis on keyboards/electronics and pop melodicism. Several of these tracks would later appear elsewhere (on recordings by Lizzy alumni Gary Moore and a Lynott solo single), but it was with Grand Slam that Lynott first tried out such tunes as "Nineteen" and "Military Man," both included here in their original form.
Phil Ranelin's first record as a leader is worlds away from his later 1976 offering, Vibes From the Tribe. The Time Is Now is a vanguard jazz record, full of the spirit, determination, and innovation inspired by John Coltrane, Eric Dolphy, Cecil Taylor, Pharoah Sanders, and Archie Shepp. Recorded in 1973 and 1974 and released at the end of 1974, the set shows Ranelin to be an imposing composer and frightfully good trombonist. The original album contained six compositions that are a deep musical brew of avant-garde improvisation, hard bop jazz esthetics, and soulful melodic ideas that were superimposed as a jump off point for both harmonic and rhythmic (read: Latin) invention…
oo Far To Whisper is the fifth studio album by new-age group Shadowfax, the third for Windham Hill Records. In this album Greenberg brings is Lyricon back to the soundbooth. Along with Charlie Bisharat on his electric violin for one cut, remaining original member, Phil Maggini on his bass, Stewart Nevitt and G.E. Stinson, Too Far to Whisper is more than a whisper of an album.