Phil Far

Phil Ochs - The Best Of The Rest: Rare And Unreleased Recordings (2020)

Phil Ochs - The Best Of The Rest: Rare And Unreleased Recordings (2020)
XLD Rip | FLAC (tracks+log+.cue) - 375 Mb | MP3 CBR 320 kbps - 163 Mb | 01:11:16
Folk, Folk Rock, Singer-Songwriter | Label: Liberation Hall

Now comes a remarkable set, sure to be cherished by Ochs fans and followers, Phil Ochs, The Best Of the Rest: Rare and Unreleased Recordings, which comes out on CD on May 22nd. It consists of many demos he made for Warner-Chappell music which have not been heard by the public ever, some of songs that he recorded on his albums, but also many of songs never recorded and unknown.

Phil Miller - 2 Studio Albums (1987-1988)  Music

Posted by gribovar at Aug. 17, 2022
Phil Miller - 2 Studio Albums (1987-1988)

Phil Miller - 2 Studio Albums (1987-1988)
EAC Rip | FLAC (tracks+.cue+log) - 649 MB | MP3 CBR 320 kbps (LAME 3.93) - 237 MB | Covers - 11 MB
Genre: Progressive/Jazz Rock, Canterbury Scene | RAR 3% Rec. | Label: Cuneiform Records, Reckless Records

Phil Miller is an English progressive rock/jazz guitarist who is part of the Canterbury scene. In addition to his solo work, he has played in Hatfield and the North, National Health, and Matching Mole. He has released a number of solo albums, some with his group In Cahoots.
After the demise of National Health, he began preparing for a solo career that began with "Cutting Both Ways" (1987) and continues to this day. This was the first album released under his own name, and the first album to feature his band In Cahoots, who are pretty much of a supergroup themselves: Hugh Hopper - bass (Soft Machine), Elton Dean - saxes (Soft Machine), Peter Lemer - keyboards (Gilgamesh, Mike Oldfield, Pierre Moerlen's Gong) & Pip Pyle - drums (Gong, Hatfield, National Health)…
Phil Lynott's Grand Slam - The Studio Sessions (2002) {Limited Edition}

Phil Lynott's Grand Slam - The Studio Sessions (2002) {Limited Edition}
2CD | EAC Rip | FLAC (Tracks) + Cue + m3u + Log ~ 588 Mb | MP3 CBR320 ~ 247 Mb
Full Scans | 00:48:36 + 00:41:39 | RAR 5% Recovery
Hard Rock | Zoom Club Records #ZCRCD90BOX

Since Phil Lynott's Grand Slam never issued an album during their brief career, some assume that the group never saw the inside of a recording studio. But as proven by the double-disc set, Studio Sessions, this assumption is false. Compiled from tapes from the group's keyboardist, Mark Stanway, Grand Slam saw Lynott attempting to update Thin Lizzy's guitar-driven hard rockin' style, with more of an emphasis on keyboards/electronics and pop melodicism. Several of these tracks would later appear elsewhere (on recordings by Lizzy alumni Gary Moore and a Lynott solo single), but it was with Grand Slam that Lynott first tried out such tunes as "Nineteen" and "Military Man," both included here in their original form.

Phil Rudd - Head Job (2014)  Music

Posted by Designol at Oct. 11, 2023
Phil Rudd - Head Job (2014)

Phil Rudd - Head Job (2014)
EAC | FLAC | Image (Cue&Log) ~ 289 Mb | Mp3 (CBR320) ~ 93 Mb | Scans ~ 92 Mb
Hard Rock | Label: Universal Music | # PRCD001 | Time: 00:40:27

2014 album from the AC/DC drummer. Over the past 20 years or so amidst time spent drumming for Australia's favorite rock export AC/DC, running a studio and a restaurant, racing cars, flying helicopters and a bit of farming in the land of the long white cloud; Melbourne born drummer Phil Rudd has been quietly writing an album worth of songs. From the rollicking first single "Repo Man", a gentle reminder about karma; to the rocking title track "Head Job", which does not have intimate connotations but is a play on words about going to the pub to commiserate with your mates about someone doing your head in. From the upbeat dirgy groove of "Bad Move" to the relationship-driven "Crazy"; Rudd has delivered a very personal album "about the shit that goes on." as the great man himself said. Perhaps with the exception of "40 Days & 40 Nights", these songs were more inspired by everyday personal experiences in life rather than being about touring the globe with the world's biggest rock band.

Phil Ranelin - The Time is Now! (1974) [Reissue 2001]  Music

Posted by gribovar at July 26, 2019
Phil Ranelin - The Time is Now! (1974) [Reissue 2001]

Phil Ranelin - The Time is Now! (1974) [Reissue 2001]
EAC Rip | APE (image+.cue+log) - 396 MB | Covers (10 MB) included
Genre: Avant-garde Jazz | RAR 3% Rec. | Label: Hefty Records (HEFTY32)

Phil Ranelin's first record as a leader is worlds away from his later 1976 offering, Vibes From the Tribe. The Time Is Now is a vanguard jazz record, full of the spirit, determination, and innovation inspired by John Coltrane, Eric Dolphy, Cecil Taylor, Pharoah Sanders, and Archie Shepp. Recorded in 1973 and 1974 and released at the end of 1974, the set shows Ranelin to be an imposing composer and frightfully good trombonist. The original album contained six compositions that are a deep musical brew of avant-garde improvisation, hard bop jazz esthetics, and soulful melodic ideas that were superimposed as a jump off point for both harmonic and rhythmic (read: Latin) invention…
Phil Woods Quintet - Souvenirs (1995) [Japan 2018] SACD ISO + DSD64 + Hi-Res FLAC

Phil Woods Quintet - Souvenirs (1995) [Japan 2018]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 50:44 minutes | Front/Rear Covers | 1,5 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 1,35 GB
or FLAC (carefully converted & encoded to tracks) 24bit/48 kHz | Front/Rear Covers | 662 MB

A die-hard bopper, alto saxophonist Phil Woods nonetheless manages to push the boundaries of straight-ahead hard bop on Souvenirs. As far as the '90s go, this is one of Woods' best. This version of Woods' quintet, most notably featuring trumpeter Brian Lynch, is a solid entity with much forward momentum. Lynch, a member of Art Blakey's last Jazz Messengers lineup, is easily one the best trumpeters around, displaying a knack for interesting note choices and lines that border on the progressive. Woods sounds thoroughly engaged throughout, attacking each tune with his characteristic fire.

«Conoscere l'intelligenza emotiva» by Phil Maxwell  Audiobooks

Posted by kabino at March 30, 2023
«Conoscere l'intelligenza emotiva» by Phil Maxwell

«Conoscere l'intelligenza emotiva» by Phil Maxwell
Italiano | ASIN: B01BY1HZKG | MP3@128 kbps | 1h 58m | 112.32 Mb
Far Caspian - The Last Remaining Light (Bonus Track Version) (2023) [Official Digital Download]

Far Caspian - The Last Remaining Light (Bonus Track Version) (2023)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 51:23 minutes | 573 MB
Indie Rock | Label: Tiny Library Records, Official Digital Download

Far Caspian is the project of singer, multi-instrumentalist and producer Joel Johnston. Recording, playing and mixing everything himself across a catalogue of EPs and a debut record he has built upon this to become a fully self-contained and unique artist directing his own videos, shooting his press shots, creating his own artwork and starting a record label to do the same for other artists.

Shadowfax - Too Far To Whisper (1986) {Windham Hill}  Music

Posted by tiburon at Nov. 27, 2017
Shadowfax - Too Far To Whisper (1986) {Windham Hill}

Shadowfax - Too Far To Whisper (1986) {Windham Hill}
EAC 0.99pb3 | FLAC tracks level 5 | Cue+Log+M3u | Full Scans 300dpi | 232MB + 5% Recovery
MP3 CBR 320 Kbps | 103MB + 5% Recovery
Genre: Fusion, New-Age

oo Far To Whisper is the fifth studio album by new-age group Shadowfax, the third for Windham Hill Records. In this album Greenberg brings is Lyricon back to the soundbooth. Along with Charlie Bisharat on his electric violin for one cut, remaining original member, Phil Maggini on his bass, Stewart Nevitt and G.E. Stinson, Too Far to Whisper is more than a whisper of an album.

Phil Stewart - Melodious Drum (2018)  Music

Posted by SERTiL at May 15, 2018
Phil Stewart - Melodious Drum (2018)

Phil Stewart - Melodious Drum (2018)
WEB FLAC (tracks) & front cover | 394 MB
Label: Cellar Live | Tracks: 10 | Time: 64:17 min
Jazz

Too often, over the last twenty years or so, jazz has drifted from the rhythmic hipness of the blues-drenched, dance-inflected tenacity of its origins. Regardless of ambitions toward artistic seriousness in multiple shapes and iterations, jazz began as good time fun entertainment driven by propulsive allure. Its fundamental identity never strayed too far from incisive swing. No matter what name was hung on it, jazz was a music of surging uplift.