Piers

Tasmin Little and her accompanist Piers Lane begin this most generous recital disc (comprising 72 minutes of music) in commanding style, with an appropriately gradiloquent account of Kreisler's Praeludium and Allegro. The playing is committed and demonstrative, although Little is less convincing in the other Kreisler work, the Caprice viennois, where her vocalization and sense of timing lack that special Viennese charm so characteristic of Kreisler's original compositions.

As companionable, healthy and English as the South Downs on a sunny day’ was an early verdict on Thomas Dunhill's Piano Quintet, one which could equally well apply to both works on this attractive programme.

Some impressive pianism may be found here, both from Piers Lane and prior to that from Eugen d’Albert. The latter was a virtuoso pianist and transcriber, also a composer whose opera Tiefland (1903) has remained popular in Germany. He was, however, born in Glasgow of French and English parents and began his career in England. Eventually he publicly renounced all things Anglo-Saxon, much to the annoyance of his mentor, Sir Arthur Sullivan, and settled in Berlin to concertize, performing the great masters: Bach, interwoven with Spohr and Beethoven.

Two very different takes on the romantic piano concerto, both equally successful. The Bliss – written in 1939 for the World’s Fair in New York – is extrovert, exuberant and virtuosic, the Rubbra a profound reflection on, and continuation of, the English pastoral tradition.