Polifemo Bononcini

Gunar Letzbor, Radu Marian, Ars Antiqua Austria - Antonio Maria Bononcini: Cantate in Soprano (2005)

Gunar Letzbor, Radu Marian, Ars Antiqua Austria - Antonio Maria Bononcini: Cantate in Soprano (2005)
EAC | FLAC | Image (Cue & Log) ~ 297 Mb | Total time: 59:30 | Scans included
Classical | Label: Arcana | # A 335 | Recorded: 2004

Antonio Maria Bononcini (1677 - 1726) is the younger and lesser-known brother of Giovanni Bononcini (1670 - 1747). He was one of a number of Italian composers who were active at the imperial court in Vienna, and introduced the newest trends in Italian music to the Austrian capital. His brother also did belong to this group of composers, as well as Ziani and Ariosti. The chamber cantata was one of the genres these composers paid attention to as listening to cantatas was part of the entertainment at the court.
Dorothee Oberlinger, Ensemble 1700 - Giovanni Battista Bononcini: Polifemo (2020)

Dorothee Oberlinger, Ensemble 1700, Roberta Mameli, Liliya Gaysina, Joao Fernandes, Helena Rasker, Bruno De Sa, Roberta Invernizzi & Maria Ladurner - Giovanni Battista Bononcini: Polifemo (2020)
EAC Rip | FLAC (tracks+log+.cue) - 427 Mb | MP3 CBR 320 kbps - 224 Mb | Digital booklet | 01:35:01
Classical, Opera | Label: deutsche harmonia mundi

The serenata Polifemo opens with an overture for which Bononcini adopts the formal model of the two-part French ouverture in which a slower section with dotted rhythms is followed by a quicker section often involving fugal textures. Bononcini combines his French model with the Italian concerto principle with its multiple choirs of instruments: here the wind ensemble alternates in the quick section with the strings. Although it is in only one act, Polifemo is made up of no fewer than twenty musical numbers: seventeen arias, two duets and one chorus. With a single exception, these numbers are cast in da capo form. Some have no instrumental prelude, whereas eight end with a postlude described as a “ritornello”, with elaborately worked-out parts for the instrumentalists. These postludes presumably allowed preparations to be made for the following action.
Luigi De Donato, Václav Luks & Collegium 1704 - Polifemo: Arias by Händel, Alberti, Caldara, Porpora (2024) [24/96]

Luigi De Donato, Václav Luks & Collegium 1704 - Polifemo: Arias by Händel, Alberti, Caldara, Porpora (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 67:31 minutes | 1,21 GB
Classical, Vocal | Label: Accent Records, Official Digital Download

Polyphemus, a cyclops of ancient Greek legend with one eye and three fingers on each hand, became a central figure in many myths and in their musical settings by Baroque composers. This son of Poseidon, a giant of insurmountable strength, appears in many fables, the best known of which are his encounters Odysseus during the hero's homeward journey and with Theseus, who kills Polyphemus.
Luigi De Donato, Václav Luks & Collegium 1704 - Polifemo: Arias by Händel, Alberti, Caldara, Porpora (2024)

Luigi De Donato, Václav Luks & Collegium 1704 - Polifemo: Arias by Händel, Alberti, Caldara, Porpora (2024)
WEB FLAC (tracks) - 335 Mb | MP3 CBR 320 kbps - 155 Mb | 01:07:31
Classical, Vocal | Label: Accent Records

Polyphemus, a cyclops of ancient Greek legend with one eye and three fingers on each hand, became a central figure in many myths and in their musical settings by Baroque composers. This son of Poseidon, a giant of insurmountable strength, appears in many fables, the best known of which are his encounters Odysseus during the hero's homeward journey and with Theseus, who kills Polyphemus.
Dorothee Oberlinger - Giovanni Battista Bononcini: Polifemo (2020)

Dorothee Oberlinger - Giovanni Battista Bononcini: Polifemo (2020)
FLAC tracks | 01:34:43 | 424 Mb
Genre: Classical / Label: deutsche harmonia mundi

Dorothee Oberlinger's new album presents the rare baroque opera "Polifemo" by Giovanni Battista Bononcini (1670-1747). The renowned recorder player recorded this opera as conductor with her ensemble 1700 and outstanding soloists. "Polifemo" was first performed in 1702 in Lietzenburg Palace, later Charlottenburg Palace, the palace of Prussian Queen Sophie Charlotte. At that time Bononcini was the Queen's favourite composer. In "Polifemo" a one-eyed giant, a jealous sorceress and the goddess of love bring about miraculous transformations in the story based on Ovid's "Metamorphoses". The performance of "Polifemo" at the Potsdam Music Festival 2019 was highly praised:"The pretty, differentiated rhythmic music with its pleasing melodies in 20, sometimes short, sometimes very overflowing numbers is in the best hands with Dorothee Oberlinger and her powerfully colorful Ensemble 1700" (The world)
Raymond Leppard, New Philharmonia Orchestra - Curtain Up!: 18th-century Overtures (1996)

Raymond Leppard, New Philharmonia Orchestra - Curtain Up!: 18th-century Overtures (1996)
EAC | FLAC | Image (Cue & Log) ~ 403 Mb | Total time: 79:28 | Scans included
Classical | Label: Philips | # 454 426-2 | Recorded: 1967, 1969

Raymond Leppard, CBE (born 11 August 1927, London, England - died 22 October 2019, Indianapolis, Indiana, USA) was an English-American conductor, harpsichordist, composer & editor. In the 1960s, he played a prime role in the rebirth of interest in Baroque music. he was appointed Music Director of the Indianapolis Symphony Orchestra in 1987 (a position which he held for fourteen years).
Nahuel Di Pierro, Ensemble Diderot, Johannes Pramsohler - Fra l'ombre e gl'orrori (2024)

Nahuel Di Pierro, Ensemble Diderot, Johannes Pramsohler - Fra l'ombre e gl'orrori (2024)
FLAC (tracks), Lossless / MP3 320 kbps | 1:14:00 | 405 / 169 Mb
Genre: Classical

Fathers, gods, philosophers, emperors, sorcerers … The bass voice is typically used on the opera stage to convey nobility and authority. Although it often represent the resting and pivotal point of an entire opera, and its depth, power, and softness were regularly highlighted already in the Baroque period, bass singers are usually not the focus of attention. In this recital specially tailored for Nahuel Di Pierro, the bass voice, accompanied by the Ensemble Diderot, takes center stage. Through a journey across 100 years of opera history, the program showcases the range and brilliance of compositions for this voice. With his spectacular vocal range of two and a half octaves, Nahuel Di Pierro interprets the great arias from Seneca's death to Polyphemus from Handel's Aci, Galatea e Polifemo with exceptional sensitivity and mastery. And it wouldn't be Johannes Pramsohler and his Ensemble Diderot if the program didn't also include some spectacular new discoveries.