To this day, Maurizio Pollini, who won 1st place at the prestigious Chopin Competition in Warsaw in 1960, remains one of the most extraordinary pianists of our century. With this release, Deutsche Grammophon continues the series of collections dedicated to him.
Combining clarity with a dazzling technique, investing the music "with a symphonic gravitas, elemental power and electrifying modernity" (International Record Review), over three-and-a-half decades Maurizio Pollini has traversed the major works of Chopin as no other pianist of his time. Here is the legacy of this unique achievement, in a single box set for the first time. The complete Chopin recordings from 1972 to 2008 Comprising the Études, Preludes, Polonaises, Sonatas, Scherzi, Ballades, Nocturnes Also includes the 2008 recital.
Maurizio Pollini continues to complete his cycle of recordings of all of the Beethoven Piano Sonatas. This is the second to last disc before Pollini completes the Beethoven Sonatas Cycle. One of the greatest pianists of our time presents his own unique and individual survey of giants of the piano repertoire. Recorded at the KKL Luzern and the Herkulessaal (Residence) in Munich. A special album from a special pianist – and one with appeal beyond the world of piano aficionados. Maurizio Pollini is one of Deutsche Grammophon’s icons, having been exclusively with the company for over four decades.
In celebration of Chopin’s 200th anniversary in 2010, here is the ultimate, complete, in particular priced 17-CD edition of the composer’s works, combining the very best recordings from the Deutsche Grammophon and Decca catalogs. Featured are some of the great Chopin interpreters of our time–Argerich, Pires, Pollini, Zimerman–with substantial contributions from particular pianists of the younger generation such as Rafał Blechacz and Yundi Li.
8 CDs, Capbox. Maurizio Pollini's Beethoven Sonatas cycle has reached completion after nearly 40 years. The Beethoven cycle began in June 1975 with opp. 109 and 110, and reached completion this year with the final CD, of the three sonatas op. 31 and the two of op. 49. This latter recording will appear as a single CD simultaneously with the box set. This is the first Beethoven cycle on DG since those of Barenboim and Giles in the 1980s.
8 CDs, Capbox. Maurizio Pollini's Beethoven Sonatas cycle has reached completion after nearly 40 years. The Beethoven cycle began in June 1975 with opp. 109 and 110, and reached completion this year with the final CD, of the three sonatas op. 31 and the two of op. 49. This latter recording will appear as a single CD simultaneously with the box set. This is the first Beethoven cycle on DG since those of Barenboim and Giles in the 1980s.
Perhaps more of an advocate for contemporary music than any other major pianist essentially rooted in traditional repertory, Maurizio Pollini was born in Milan, Italy. He learned quickly and was given piano lessons from Carlo Lonati from an early age, making his public debut at the age of nine. Enrolling in the Milan Conservatory, he studied with Carlo Vidusso. In 1957 he performed a recital of Chopin etudes in Milan that drew favorable attention from the national Italian press. He won a second prize in the 1958 Geneva Competition. Embarking on further studies with Arturo Benedetto Michelangeli, he won first prize in the Warsaw Chopin competition in 1960…
There seems something soberingly final about the title of Deutsche Grammophon's collection, which brings together recordings of all the music Pierre Boulez acknowledges, from the 12 Notations for piano of 1946 to Dérive 2, the churning, turbulent ensemble piece that reached its latest, 44-minute form in 2006. Boulez is now 88; his eyesight is known to be failing, and new works such as the Waiting for Godot opera planned for La Scala may never be fulfilled. Similarly, the scores long marked "work in progress" in his catalogue may for ever remain just that. As Claude Samuel says in his wonderfully perceptive and informative notes to the set, "more than anyone else's, Pierre Boulez's oeuvre has not known completion and never will". What's on these 13 discs, then, is likely to be the body of work on which Boulez's place in the history of 20th-century music will be assessed.