Ponytail

VA - From Clovis to Marble Arch - The Norman Petty Productions (2020)

VA - From Clovis to Marble Arch - The Norman Petty Productions (2020)
FLAC tracks | 01:18:31 | 256 Mb
Genre: Pop, Pop Rock, Rock and Roll / Label: Jasmine Records

Although producer/songwriter NORMAN PETTY's name perhaps remains synonymous with Buddy Holly & The Crickets, he also worked with plenty of other great artists, notably Roy Orbison & The Teen Kings, Buddy Knox, Jimmy Bowen, Carolyn Hester, Sonny Curtis, Jimmy Gilmer, The Fireballs, The String-A-Longs, The Champs, and a young Bobby Fuller.
All these and many more are featured in this carefully-compiled 36-track collection of Petty's productions, between 1956-62, which also includes tracks by rather lesser-known, cult collectors' artists like Sonee West, Terry Noland, Peanuts Wilson, Earl Henry, The Nighthawks, Jack & Jim, Myron Lee & The Caddies, Larry Trider, The Hollyhawks, etc.

Gene Vincent - The Gene Vincent Box Set (1990) [6CD Box Set]  Music

Posted by v3122 at Oct. 10, 2021
Gene Vincent - The Gene Vincent Box Set (1990) [6CD Box Set]

Gene Vincent - The Gene Vincent Box Set (1990)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
EMI, CDS 7 94593-2 | ~ 2133 or 962 Mb | Scans(png) -> 277 Mb
Rock & Roll / Rockabilly

Six CDs containing the complete Capitol and EMI-Columbia recordings by Vincent, from 1956 through 1964. The 151 tracks may seem excessive, but the sound glitters, and since most of the post-1962 material was never issued in the United States, this stuff could be revelatory to serious fans…

Bach: Die Klavierkonzerte 1-7 / Andrej Gawrilow (1985)  Music

Posted by Benzok at Dec. 14, 2010
Bach: Die Klavierkonzerte 1-7 / Andrej Gawrilow (1985)

Bach: Die Klavierkonzerte 1-7 / Andrej Gawrilow (1985)
EAC rip | FLAC, log, cue, no covers | RAR Rec. 3% | 544 MB | hotfile, filesonic
Classical | Label: Melodia-Eurodisc | 2CD

The Russian pianist, Andrei [Andrej] Gavrilov, began his musical training with his mother, who stressed the need to search for emotional content in performance. By contrast, his second teacher, Tatiana Kestner, was a product of the German school and emphasized form and musical ideas rather than emotion.