"On" (2015) is the Jane Getter Premonition's debut for the Madfish label. Recorded at Avatar Studios in New York, the album features a stellar line-up of Progressive, Jazz and Rock musicians including Adam Holzman (Miles Davis, Steven Wilson), Bryan Beller (Joe Satriiani, The Aristocrats), Chad Wackerman (Frank Zappa, Allan Holdsworth), Corey Glover (Living Colour), Alex Skolnick (Testament, Savatage, Ozzy Osbourne) and Theo Travis (Steven Wilson, Robert Fripp). Guitarist and composer Jane Getter has played with many Jazz and Rock greats, garnering increasing recognition as a bandleader, gifted writer and instrumentalist. Jane also received widespread exposure playing in the Saturday Night Live Band. CD in digipack with a 16 page colour booklet featuring stunning artwork from Lasse Hoile. For fans of Porcupine Tree, Steven Wilson, Dream Theater, Animals as Leaders & The Aristocrats.
Jane Getter's 2024 studio album Division World features Jane’s all-star band including keyboardist Adam Holzman, guitarist Alex Skolnick, bassist and singer Paul Frazier and drummer Gene Lake. Randy McStine (McStine & Minnemann, Porcupine Tree) also guests on vocals. Operating at the intersection of rock, jazz, singer-songwriter and metal styles and containing masterful playing and dynamic compositions, Division World is the strongest album to date from Jane Getter Premonition.
Grönland Records reissue by two unique musicians whose paths originally crossed in the early-eighties while working on Sylvian’s debut solo album, Brilliant Trees. In 1986, David Sylvian and Holger Czukay - founding member and bassist in legendary German Kosmiche band Can - were ostensibly reconvening for Sylvian to record a vocal for Czukay's forthcoming album Rome Remains Rome. But on arriving at Czukay's studio - a former cinema in Köln - Sylvian began playing freeform, improvising on readily available instruments located in the studio itself. No sooner had Sylvian, on whatever instrument he’d been applying himself, start to structurally define/refine the performance than Czukay would stop the recording he’d surreptitiously been making. Czukay had attempted to capture the process of creation without a musician's inclination for refinement. This process, drawn out over two nights, gave birth to the duos first, full-fledged, collaboration, Plight and Premonition.
Upon its release in the spring of 1997, John Fogerty's long-awaited comeback album Blue Moon Swamp was lavished with praise – it didn't become the crossover hit that Centerfield was, but it earned great reviews and a solid cult audience. Furthermore, his tour – his first ever to feature classic Creedence material – was, if anything, even better received than Blue Moon Swamp, so it made some sense that he quickly released Premonition, his first solo live album, in 1998. Premonition is frighteningly good – Fogerty doesn't sound like a veteran rocker, he sounds nearly as powerful as he did on old Creedence live shows. He also sounds more mature, bringing increased depth to his older songs as he energizes recent material, from "The Old Man Down the Road" to "Swamp River Days." Premonition is essentially the province of dedicated Fogerty fans – there's only one new song, and the differences in the live performances are things only the hardcore will spot – but they'll be delighted with the quality of the music.
Premonition is the second album by American rock band Survivor, released in August 1981 in the United States and February 1982 elsewhere. It was the first album to use the Survivor script logo. The album, along with many other Survivor albums, was briefly taken out of print. The album includes the singles "Poor Man's Son" (#33, US Chart), one of the songs that would be part of their live set list, and "Summer Nights" (#62, US Chart).
Despite the lag between the 1965 recording of his debut album The New Folk Sound of Terry Callier and his 1972 sophomore effort Occasional Rain, Callier was far from inactive – in addition to regularly playing on the Chicago club circuit, he also cut a series of extraordinary demos which have finally surfaced almost three decades later as First Light. In the nine studio tracks which comprise the collection – a superb 1971 solo benefit date is also included – it's possible to hear the foundations of the aesthetic perfected on his classic Cadet recordings of the mid-1970s; on early renditions of songs like "Ordinary Joe" and "Alley Wind Song," all the pieces are already in place, as the haunted soulfulness of Callier's vocals blends perfectly with waves of acoustic folk guitar and subtle jazz textures.