Private Triple X 68

Itzhak Perlman: The Complete Warner Recordings embraces every aspect of Perlman's art. It contains concertos (the ‘essential' concertos, of course, but also more rarely-heard works, including Perlman's own commissions from living composers); other pieces for violin and orchestra; chamber music; recital and crossover repertoire (including jazz, ragtime and klezmer), and even a disc that focuses on Perlman as narrator and (briefly) opera singer. The recordings document his collaborations with the world's greatest orchestras and an array of superlative fellow-soloists and conductors, including Martha Argerich, Vladimir Ashkenazy, Daniel Barenboim, Plácido Domingo, Carlo Maria Giulini, Bernard Haitink, Lynn Harrell, Yo Yo Ma, Zubin Mehta, Seiji Ozawa, André Previn and Pinchas Zukerman.

A TRIPLE-CD of radio broadcast live recordings of Minneapolis' finest. Two of the discs feature Hüsker Dü live action, taped at a 1981 show in Portland and in Minneapolis 1985. Disc #3 features a fine 1989 performance, given by singer-guitarist Bob Mould (after the band split up) at a radio station in Germany.

Plenty of Blondie compilations have appeared over the years, but the band endorsed Against the Odds: 1974-1982, a comprehensive complete chronology available in four separate incarnations: a Super Deluxe Collectors' Edition containing ten vinyl records (plus bonuses) and a Deluxe eight-CD set that both contain newly remastered versions of Blondie's first six albums plus 52 bonus tracks, then a Deluxe four-LP set and a triple-CD version that solely feature the non-LP bonus material. Some of the bonus tracks cover B-sides and single mixes that have been in circulation for some time, but there are a grand total of 36 unreleased tracks, most taken from the personal collection of guitarist Chris Stein, who is also the source for much of the memorabilia and pictures seen in the two hefty sets of liner notes accompanying the box. The bonus material runs the gamut of Blondie's career, ranging from edgy early demos from 1974 – they had the basic elements of "Heart of Glass" in place even then, here heard as "Once Had a Love" – to some stray synth mixes Stein commissioned for a project in 1982.

There was a time when you could walk into your average record store and find the singles section by spotting the big block of black rows. These rows signaled the whereabouts of the Ds and tended to eat up a disproportionate space of the singles section. In 2004, the Mute label condensed all of these releases into Remixes 81-04, which itself was ironically (or fittingly) presented in multiple versions. This particular version is a triple-disc set that attempts to function as a representative sampling of Depeche Mode's innumerable remixes. It does an admirable job, making a point to highlight glorified extended versions and radical reworkings alike.

Dutch reissue label Disky's Golden Greats series of triple CDs of the works of major pop singers takes advantage of the European copyright law that releases recordings more than 50 years old into the public domain. When it comes to people like Billie Holiday and Judy Garland, that puts a substantial number of the artists' recordings at the label's disposal for no charge. Dean Martin is another story. Something of a late bloomer, he didn't start to take off as a recording artist until 1953, when "That's Amore" became his first gold record. But given that this album was released in 2002, that and Martin's later hits were off-limits to Disky.

Soundway Records present Kenya Special: Selected East African Recordings from the 1970s & ‘80s - a treasure-trove of rare and unusual recordings from East Africa. Spread out over two CDs and one triple LP, Kenya Special is accompanied by detailed liner notes, original artwork and photographs.It follows on from Soundway’s much acclaimed African ‘Special’ series that to date has focused on the highlife and afrobeat output from 1970s Nigeria and Ghana.

Soundway Records present Kenya Special: Selected East African Recordings from the 1970s & ‘80s - a treasure-trove of rare and unusual recordings from East Africa. Spread out over two CDs and one triple LP, Kenya Special is accompanied by detailed liner notes, original artwork and photographs.It follows on from Soundway’s much acclaimed African ‘Special’ series that to date has focused on the highlife and afrobeat output from 1970s Nigeria and Ghana.