Proof 2005

Out of all the zillions of Motörhead compilations released over the years, 2005's Essential Noize: The Very Best Of may just be the best one yet. And the reason is quite simple – it covers the best tracks from 1978 through 1984, which just about every single Motörhead fan agrees is their strongest period. At the time this material first arrived, many rock fans and metal heads were left scratching their heads in bewilderment, as few groups managed to combine the energy of punk with the power of metal as Lemmy and company did. By the early 21st century, it became quite clear that Motörhead were bona fide trailblazers, influencing countless bands (Metallica, Soundgarden, etc.) and singlehandedly inventing thrash metal.

This promotional DVD disc is a commercial production that was distributed to music stores in Mexico to promote the 2005 release of X&Y. It includes unique musical advertising video clips mixed among official music videos.

The Missing Piece was Gentle Giant's last album to chart in the U.S. Until 1977 Gentle Giant's complicated music won them fans all over the world, but as market tastes changed, their fan base ceased to grow…

On Mighty Rearranger, the core of the band Robert Plant showcased on 2002's Dreamland - and named the Strange Sensation - is a full-blown expanded lineup that shares the bill with him. Guitarists Justin Adams and Skin Tyson, drummer Clive Deamer, keyboardist John Baggot, and bassist Billy Fuller help Plant give listeners his most musically satisfying and diverse recording since, well, Led Zeppelin's Physical Grafitti. The reference is not a mere platitude to Plant's pedigree. The songs, production, and sequencing of the album overtly incorporates those sounds as well as those of Eastern modalism, Malian folk, guitar rock, R&B, and others, for inspiration - and why shouldn't they? Mighty Rearranger opens with "Another Tribe," a sociopolitical ballad that touches upon the textural string backdrops from Zep's "Kashmir" and is fueled by Moroccan bendir drums…

Wishbone Ash are a British rock band who achieved success in the early and mid-1970s. Their popular albums included Wishbone Ash (1970), Pilgrimage (1971), Argus (1972), Wishbone Four (1973), There's the Rub (1974), and New England (1976). Wishbone Ash are noted for their extensive use of the harmony twin lead guitar format which had been attracting electric blues bands since Jeff Beck and Jimmy Page had played together in the Yardbirds in 1966. Their contributions helped Andy Powell and Ted Turner to be voted "Two of the Ten Most Important Guitarists in Rock History" (Traffic magazine 1989), and to appear in the "Top 20 Guitarists of All Time" (Rolling Stone). Melody Maker (1972) described Powell and Turner as "the most interesting two guitar team since the days when Beck and Page graced The Yardbirds". They have been cited as an influence by Iron Maiden founder and bassist Steve Harris, as well as Thin Lizzy and other dual guitar bands.

On Mighty Rearranger, the core of the band Robert Plant showcased on 2002's Dreamland - and named the Strange Sensation - is a full-blown expanded lineup that shares the bill with him. Guitarists Justin Adams and Skin Tyson, drummer Clive Deamer, keyboardist John Baggot, and bassist Billy Fuller help Plant give listeners his most musically satisfying and diverse recording since, well, Led Zeppelin's Physical Grafitti. The reference is not a mere platitude to Plant's pedigree. The songs, production, and sequencing of the album overtly incorporates those sounds as well as those of Eastern modalism, Malian folk, guitar rock, R&B, and others, for inspiration - and why shouldn't they? Mighty Rearranger opens with "Another Tribe," a sociopolitical ballad that touches upon the textural string backdrops from Zep's "Kashmir" and is fueled by Moroccan bendir drums…

If you've ever presumed Chopin was a miniaturist whose music is to be played daintily you are wrong, and this CD is living proof. The Sonata No. 2 is a grand work and Freire treats it as such. He creates great tension in the first movement and delivers; his "scherzo" is filled with tempi tricks that all somehow cohere as he fearlessly leaps all over the keyboard, and the finale, a harmonic puzzle of sorts, makes excellent sense with all of the melodic lines given equal strength. The Barcarolle is more ferocious than we're used to but it's still a valid reading, and the Etudes are, indeed, perfect studies, offering a superb student's eye view of each.

Angel Air continues to sweep up the furthest flung crumbs of the Ray Russell canon for reissue, and now they've finally swatted the Mouse onto CD. This quartet, comprising Russell, drummer Alan Rushton, keyboardist Jeff Watts, and singer Alan Greed released their sole album on EMI in 1973. Russell jokes in the booklet that "attempts to make a single were forgotten about an hour into the first session," but even so the compulsive "Electric Lady," a throbbing rocker or alternately, the bouncy pop-flecked "We Can Make It" both fit that bill. And even if "Going Out Tonight" was a little too quirky for singledom, it was still the perfect set opener on-stage or on record.

The two Johann Adolf Hasse compositions recorded here are proof of the both high quality of his music and the broad range of styles which he had at his disposal. Once again Hans-Christoph Rademann offers an exemplary interpretation of music from the Court of Dresden, to which he has often dedicated his musical efforts.