Public Image Ltd. (PiL) are an English musical group formed in 1978 by vocalist John Lydon, guitarist Keith Levene and bassist Jah Wobble, with frequent subsequent personnel changes.
Rising from the ashes of the pivotal punk rock group the Sex Pistols, PiL branched out to a more experimental sound, and their early work is often regarded as some of the most challenging and innovative music of the post-punk era: the NME[1] described PiL as "arguably the first post-rock group".
On 1978: The Year The UK Turned Day-Glo, we investigate the sounds of 1978 as the original punk template fractured into a dazzling day-glo riot of sub-genres: new wave, post-punk, proto-Oi, power-pop, punk poets, the mod revival, ska-punk, synth-oriented electronic/industrial music and a whole load of additional noises that, over forty years later, have still to be classified by the fifth estate, the fourth column or even the Third Reich. We document various regional scenes, paying close attention to the likes of Manchester, Scotland and, in particular, Northern Ireland, where the arrival of punk was a life-affirming relief from the horrors of everyday life.
With 100 hit tracks spanning five discs, this budget set, which has a decided British lean, has no real discernible theme, but features plenty of rock and pop classics like Gerry Rafferty's "Baker Street," Glen Campbell's "Wichita Lineman," Steve Miller's "Fly Like an Eagle," Poison's "Every Rose Has Its Thorn," Al Stewart's "Year of the Cat," and the Band's "The Weight," as well as British hits from the Buzzcocks, the Ruts, and the Waterboys.
Top of the Pops from 1979 includes hits from The Jam, The Specials, Madness, The Selecter, Elvis Costello, Squeeze, Gary Numan, Dame Edna Everage, The Ruts, Racey, The Nolans, Lene Lovich, Chic and Chas & Dave, Mike Oldfield and many others.
Ace are delighted to continue with Jon Savage’s highly respected year-by-year series documenting the music scene on a world stage, which began with a volume based on his successful 1966 book for Faber. A genre-spanning two-disc array of pivotal singles, extended mixes, context-providers, scene-stealers and lost gems from disco, b-boy, new wave, rap, indie and synth: these are the decks that defined the dawn of the 80s, captured the mood and crystallised Jon’s personal experiences of these years. Artists include the Associates, Grandmaster Flash & the Furious Five, the Human League, Grace Jones, New Order, Yello, the Peech Boys and Zapp.