Musical Concepts is pleased to announce the second release in one of the most ambitious early music reissue projects of all time — Alfred Deller: The Complete Vanguard Recordings. The series brings together every recording made by Alfred Deller – as solo countertenor, ensemble member of the Deller Consort, and conductor – for the legendary, enterprising Vanguard record label. These recordings created a sensation with their initial release, and have influenced and inspired three generations of music lovers, from casual listeners to the top tiers of performing artists and scholars.
It is an important moment in the life of a singer when she is able to confront the standard repertory. After years spent studying theatre and music in Shakespeare’s England under the guidance of musicologist Philip Brett, Jill Feldman recorded two programmes of Henry Purcell’s music in 1992, reissued here as a double CD.
Chantal Santon-Jeffery est maintenant bien connue des baroqueux. Elle mène une belle carrière aussi bien dans le baroque français qu’italien des XVIIe et XVIIIe siècles, participant notamment à la plupart des résurrections du Palazetto Bru Zane. Depuis quelques années, on la croise même dans l’opéra contemporain, Janacek ou Britten. Il faut dire que son soprano ample, son timbre brillant, la qualité de sa diction et son attention à la dramatisation des textes ont de quoi séduire, d’autant que la dame est aventureuse.
The year 2001 marked the felicitous moment when Hervé Niquet and Le Concert Spirituel joined Glossa, starting a recording collaboration which to date (2013) has yielded twenty-plus titles. The first of all these was this memorable Dido and Aeneas by Henry Purcell, at the time a somewhat unusual offering from an ensemble which had hitherto made of French Baroque music the cornerstone of its activities.
Admired for her remarkable creative imagination and exemplary musicianship, soprano Patricia Petibon, in her newest album for Deutsche Grammophon, offers a treasure-trove of fascinating Baroque curiosities guaranteed to enthral both the Baroque aficionado and the casual listener.