Queen Queen

Like any patchy but promising debut from a classic rock group, it's often easy to underrate Queen's eponymous 1973 debut, since it has no more than one well-known anthem and plays more like a collection of ideas than a cohesive album. But what ideas! Almost every one of Queen's signatures are already present, from Freddie Mercury's operatic harmonies to Brian May's rich, orchestral guitar overdubs and the suite-like structures of "Great King Rat." That rich, florid feel could be characterized as glam, but even in these early days that appellation didn't quite fit Queen, since they were at once too heavy and arty to be glam and – ironically enough, considering their legendary excess – they were hardly trashy enough to be glam…

The bowl in question in the title of Queen's 2004 release On Fire at the Bowl is the MK Bowl in Milton Keynes, England, a venue that Queen performed at on June 5, 1982. That concert is documented on this 25-track double-disc set, one of many double-live albums that Queen have released throughout and after their career…

Like any patchy but promising debut from a classic rock group, it's often easy to underrate Queen's eponymous 1973 debut, since it has no more than one well-known anthem and plays more like a collection of ideas than a cohesive album. But what ideas! Almost every one of Queen's signatures are already present, from Freddie Mercury's operatic harmonies to Brian May's rich, orchestral guitar overdubs and the suite-like structures of "Great King Rat." That rich, florid feel could be characterized as glam, but even in these early days that appellation didn't quite fit Queen, since they were at once too heavy and arty to be glam and – ironically enough, considering their legendary excess – they were hardly trashy enough to be glam.

Like any patchy but promising debut from a classic rock group, it's often easy to underrate Queen's eponymous 1973 debut, since it has no more than one well-known anthem and plays more like a collection of ideas than a cohesive album. But what ideas! Almost every one of Queen's signatures are already present, from Freddie Mercury's operatic harmonies to Brian May's rich, orchestral guitar overdubs and the suite-like structures of "Great King Rat." That rich, florid feel could be characterized as glam, but even in these early days that appellation didn't quite fit Queen, since they were at once too heavy and arty to be glam and – ironically enough, considering their legendary excess – they were hardly trashy enough to be glam.

Queen Rock Montreal is a live album by English rock band Queen. It was released in October 2007 as a double CD / triple vinyl / DVD. It was recorded in Montreal, Quebec, Canada at the Montreal Forum on 24 November and 25 November 1981, ten years to the date before lead singer Freddie Mercury died of complications related to AIDS. Allmusic.com described Queen's performance in Montreal as being "deliberately theatrical and often majestic".

Sold upon its November 2014 release as a compilation containing some unearthed, even "forgotten," material, Queen Forever doesn't contain much new in either its standard or deluxe versions. Just three songs, actually: a finished version of the Works outtake "Let Me in Your Heart Again," a reworked version of Freddie Mercury's solo "Love Kills" from the soundtrack to Giorgio Moroder's Metropolis, and a completed version of "There Must Be More to Life Than This," a Freddie duet with Michael Jackson from the early '80s…

This Hammersmith Christmas concert was the culmination of the 26-date 'Queen invite you to A Night At The Opera UK tour of 1975, and was the last show of a very eventful and exciting year for Queen. Queen performed 'Bohemian Rhapsody' for the first time during this tour. Spirits were high within the band for this show; 'Bohemian Rhapsody' was enjoying its fourth week at No. 1 and 'A Night At The Opera' was climbing the album charts on its way to No 1, which it achieved three days after this concert. The show was simulcast live on both BBC Radio 1 and 'The Old Grey Whistle Test' television show on BBC 2. The Blu-ray release also features bonus material from Queen's first tour of Japan in 1975, and a 22-minute documentary featuring interviews from Brian May, Roger Taylor and Bob Harris entitled 'Looking Back at the Odeon'.

Like any patchy but promising debut from a classic rock group, it's often easy to underrate Queen's eponymous 1973 debut, since it has no more than one well-known anthem and plays more like a collection of ideas than a cohesive album. But what ideas! Almost every one of Queen's signatures are already present, from Freddie Mercury's operatic harmonies to Brian May's rich, orchestral guitar overdubs and the suite-like structures of "Great King Rat." That rich, florid feel could be characterized as glam, but even in these early days that appellation didn't quite fit Queen, since they were at once too heavy and arty to be glam and – ironically enough, considering their legendary excess – they were hardly trashy enough to be glam.

Like any patchy but promising debut from a classic rock group, it's often easy to underrate Queen's eponymous 1973 debut, since it has no more than one well-known anthem and plays more like a collection of ideas than a cohesive album…

Queen II was a breakthrough in terms of power and ambition, but Queen's third album Sheer Heart Attack was where the band started to gel. It followed quickly on the heels of the second record – just by a matter of months; it was the second album they released in 1974 – but it feels like it had a longer incubation period, so great is the progress here…