New album from Ibrahim Maalouf. Guest appearances include De la Soul and Gergory Porter. "I'm a nomad," says international trumpet superstar Ibrahim Maalouf. "I've never believed in borders or boundaries because at the end of the day, the most exciting thing to me is the way our differences can come together to create new art, new stories, new generations. When we collaborate, we can change the world." That notion lies at the heart of Maalouf's extraordinary new album, Capacity To Love, which finds the Lebanese-born, French-raised instrumental mastermind teaming up with a host of hip-hop and R&B artists (including Flatbush Zombies' Erick The Architect, De La Soul, and D Smoke) for his most bold and innovative collection yet.
Iconic veteran Southern soul man William Bell has been in the business of making records for 66 years, and was with Memphis’ fabled Stax label for virtually its entire 15-year existence (1960-1975). In that time, he composed and recorded many songs that are rightly regarded as classics, from his Stax debut ‘You Don’t Miss Your Water’ to the classic blues song ‘Born Under A Bad Sign’ to his hit duet with Judy Clay, ‘Private Number’.
From the beloved and trusted JUST THE HITS range, comes an inarguably groovy decade-based addition – THE SEVENTIES! An unmistakably value-packed, hit-laden, all-killer collection of highly recognisable, well-loved and anthemic tracks from the decade that provided the world with some of the most loved and enduring anthems of the ages. The tracklist features a superstar rollcall of artists and their mega-hits – from ABBA to Elton John, Neil Diamond to Blondie, alongside Motown classics (Jackson 5, Marvin Gaye, Stevie Wonder, Rick James and The Commodores) further imbued with Australian classics from Helen Reddy, Cold Chisel, Little River Band, Aussie Crawl and many many more!
The Eastern North Carolina Sacred Soul all stars, Dedicated Men of Zion are back with the follow up to their critically acclaimed, 2020 debut album, Can't Turn Me Around. The Devil Don't Like It picks up where we last heard DMZ, blending traditional sacred soul offerings with the fire and passion of a touring outfit. Backed by the Sacred Soul Sound Section and produced by Bible & Tire founder, Bruce Watson, these songs are presented just as they should be, with a precision of sound and style but as raw as the original recordings demand. These men did not come to play, they came to work for the Lord.
Unique, strong, and sexy—that’s how Beyoncé wants you to feel while listening to RENAISSANCE. Crafted during the grips of the pandemic, her seventh solo album is a celebration of freedom and a complete immersion into house and dance that serves as the perfect sound bed for themes of liberation, release, self-assuredness, and unfiltered confidence across its 16 tracks. RENAISSANCE is playful and energetic in a way that captures that Friday-night, just-got-paid, anything-can-happen feeling, underscored by reiterated appeals to unyoke yourself from the weight of others’ expectations and revel in the totality of who you are.