R.m.n 2022

This fourth album by philharmonie zuidnederland includes works by Darius Milhaud, Charles Koechlin, Duncan Ward and Edward Elgar. Principal conductor Duncan Ward takes you on a symphonic journey with Darius Milhaud’s La Création du monde for small orchestra, after which we fly to the stars in Charles Koechlin’s mysterious Vers la voûte étoilée — Koechlin had first intended to become an astronomer. We then travel further afield with Ward’s own Fumes ; Ward had studied in India with sitar legend Ravi Shankar before joining him in California. The album ends with Elgar’s Enigma Variations . Elgar portrayed fourteen of his closest friends in this enigmatic, humorous and moving work.

Sir John Barbirolli began as an orchestral cellist, and played under Elgar's baton in the premiere of the Cello Concerto. Encouraged by Elgar, he moved into conducting and made his mark with the composer's Second Symphony in 1927. After Elgar's death, Barbirolli vowed to make the composer's music his special mission in life and to do his utmost to make it known all over the world. From the performances here, we can judge how well he kept his promise.

Tied to a significant new exhibition at Tate Britain, a killer collection surveying Black Soundsystem culture’s indelible influence on UK over successive generations from the ’70s to the ’00s.

Listening to this Purple Rain-era live show from Syracuse in 1985, you’re reminded how introverted Prince was. Does he dazzle? Yes. Does he dance? Yes—and shred, and sweat, and offer you his most carnal love. But he also creates a sense of interiority that, if not at odds with how physical the music is, at least feels remarkable when you remember there were 50,000 people there with him. God and Satan (“Let’s Go Crazy”), Mom and Dad (“When Doves Cry”), U and Me (“Let’s Pretend We’re Married”): He sees the lines and he blurs them. The funniest banter comes on “How Come U Don’t Call Me Anymore” when he asks, “Does your man have an ass like mine?” But the one that gets under your skin is on “God” because when he says, “I know you better than you think I do,” he says it like he might.

We can't think of many other performers like the singer/songwriter/dancer/actress Asha Puthli who have excelled in such a broad range of genres. From 60s psych, Classical Indian music, Free Jazz, Pop, Soul, Disco, to Rock, the list goes on. A 'best-of' or an 'essential collection' is always going to be a subjective thing, but for what is unbelievably the first official compilation covering the full breadth of Asha's illustrious career, we aimed to provide a snapshot into her ever-evolving musical journey and a tribute to the vast richness of her catalogue.

Internationally-renowned British singer-songwriter Emeli Sandé with her forthcoming album Let’s Say For Instance, and her first release on an independent label, and it marks a new era of Emeli’s expansive artistry after a decade on stage and on the airwaves. Exploring new sonic territory through shades of classical, disco, nostalgic R&B and more, it sees Emeli freeing herself from the expectations of others, flexing her holistic skills as a songwriter, producer and vocalist in new, versatile ways. In her words: “‘an ode to resilience, rebirth, and renewal”.