Riffs For Organ

The music of Joonas Kokkonen (1921–96), one of the most important Finnish composers after Sibelius, radiates warmth and light. His limited output is largely introvert in character but also contains moments of grandeur and rhythmic energy. Kokkonen’s Requiem (1980–81), written in memory of his first wife, is both a powerful choral symphony and a tender, moving embodiment of consolation. Originally scored for large orchestra, the Requiem is heard here in a new version for organ intended to bring the work within the reach of smaller forces. This first recording is complemented by the first complete recording of Kokkonen’s four works for solo organ.

Largely known and admired for his large orchestral scores – including fifteen symphonies to date – the Finnish composer Kalevi Aho has actually written in a wide variety of genres, including chamber music and opera. He did arrive at the organ via the orchestra, however: in 1993, when composing his Eighth Symphony, he decided to let the organ feature in it as a solo instrument. Although he integrated it into the orchestra, it was also provided with three interludes between the separate movements. Encouraged to recast these into a solo work for the instrument, Aho composed a brief introduction for each interlude, functioning as a short summary of what had appeared before it in the course of the symphony. Behind the Three Interludes, and indeed the symphony, there lies a powerful experience of nature: a mid-summer journey on the Arctic Ocean, when everything, in the absence of night, was ‘bathed in an endless blue-tinged light’. Although composed 14 years later, the Symphony for Organ also owes its existence to the Eighth Symphony. After having played the organ part in a 2005 performance of that work, the Finnish organ virtuoso Jan Lehtola approached the composer urging him to write a big, multi-movement work for solo organ.