This is the album that solidified Uriah Heep's reputation as a master of gothic-inflected heavy metal. From short, sharp rock songs to lengthy, musically dense epics, Demons and Wizards finds Uriah Heep covering all the bases with style and power…
This is the album that solidified Uriah Heep's reputation as a master of gothic-inflected heavy metal. From short, sharp rock songs to lengthy, musically dense epics, Demons and Wizards finds Uriah Heep covering all the bases with style and power. The album's approach is set with its lead-off track, "The Wizard": it starts as a simple acoustic tune but soon builds into a stately rocker that surges forth on a Wall of Sound built from thick guitar riffs, churchy organ, and operatic vocal harmonies. Other highlights include "Traveller in Time," a fantasy-themed rocker built on thick wah-wah guitar riffs, and "Circle of Hands," a stately power ballad with a gospel-meets-heavy metal feel to it.
The Hammond organ, especially the B-3 combined with the Leslie speaker, has long been an integral part of modern popular music.You can hear the "classic" sound of the Hammond organ in blues, gospel, jazz, rock, and even on some contemporary singer/songwriter songs (try to picture Dylan's "Like a Rolling Stone" or Procol Harem's "Whiter Shade of Pale" without that distinctive sound).
Archie Shepp started his career as a new thing firebrand, an acolyte of John Coltrane and a fierce advocate for civil rights. By the time these sessions were recorded in the late 60's and early 70's, Shepp had changed—developing a funky style of R&B tinged jazz that wasn't exactly fusion, but definitely showed an awareness of what people like James Brown and Sly Stone were up to. The first album on this 2-fer, is the rare disc For Losers, and it surprises you right from the jump with a straight up R&B tune called “Stick 'em Up," which wouldn't have sounded out of place on the AM radio of the time.