On July 1, 1968, The Band's landmark debut album, Music from Big Pink, seemed to spring from nowhere and everywhere. Drawing from the American roots music panoply of country, blues, R&B, gospel, soul, rockabilly, the honking tenor sax tradition, hymns, funeral dirges, brass band music, folk, and rock 'n' roll, The Band forged a timeless new style that forever changed the course of popular music. Fifty years later, the mythology surrounding Music from Big Pink lives on through the evocative storytelling of its songs including "The Weight," "This Wheel's On Fire," "Tears of Rage," and "To Kingdom Come," its enigmatic cover art painted by Bob Dylan, the salmon-colored upstate New York house – 'Big Pink' – where The Band wrote the songs, and in myriad descendant legends carried forth since the album's stunning arrival.
Martin Page, who hails from Southampton, England, first gained recognition as a songwriter in the early 80’s with Top-40 hits for Kim Carnes and Earth, Wind & Fire, among others. With Bernie Taupin, whose usual partner was Elton John (and with Dennis Lambert & Peter Wolf), Page wrote “We Built This City,” a Number One Hit for Starship (their first) in 1985. Page and Taupin returned to Number One the following year with “These Dreams,” recorded by Heart (also Heart’s first chart topper). Teaming up with Peter Cox and Richard Drummie of the UK group Go West, Page wrote “King Of Wishful Thinking,” which was featured in the movie “Pretty Woman,” and became a Top Ten hit for Go West in 1990, and “Faithful,” another hit for Go West. With Robbie Robertson, Page penned the critically acclaimed “Fallen Angel,” featured in Robertson’s first solo album.
The Band's first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the group's second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though a Canadian, Robertson focused on a series of American archetypes from the union worker in "King Harvest (Has Surely Come)" and the retired sailor in "Rockin' Chair" to, most famously, the Confederate Civil War observer Virgil Cane in "The Night They Drove Old Dixie Down."