Robert Simpson

'When it comes to recordings of British string quartets there've been few more impressive achievements than Hyperion's Robert Simpson cycle' (BBC Record Review)
'All of Robert Simpson's quartets are worth hearing. Don't ask for a recommendation of where to start! But do start, somewhere' (Fanfare)

'When it comes to recordings of British string quartets there've been few more impressive achievements than Hyperion's Robert Simpson cycle' (BBC Record Review)
'All of Robert Simpson's quartets are worth hearing. Don't ask for a recommendation of where to start! But do start, somewhere' (Fanfare)

'When it comes to recordings of British string quartets there've been few more impressive achievements than Hyperion's Robert Simpson cycle' (BBC Record Review)
'All of Robert Simpson's quartets are worth hearing. Don't ask for a recommendation of where to start! But do start, somewhere' (Fanfare)

These chamber works center around the horn as a chamber instrument. The horn contributes an interesting character to the music, especially when there is a piano employed. The String Trio of 1984 is here scored for horn, violin, and piano. The Horn Quartet of 1975 is scored for horn, violin, cello, and piano. The Trio is more representative of Simpson's mature style; it tends more toward a melodic polytonality. His Horn Quartet is more rugged, and the scales are tipped toward atonality. Extremely interesting postmodern works.

These chamber works center around the horn as a chamber instrument. The horn contributes an interesting character to the music, especially when there is a piano employed. The String Trio of 1984 is here scored for horn, violin, and piano. The Horn Quartet of 1975 is scored for horn, violin, cello, and piano. The Trio is more representative of Simpson's mature style; it tends more toward a melodic polytonality. His Horn Quartet is more rugged, and the scales are tipped toward atonality. Extremely interesting postmodern works.

These chamber works center around the horn as a chamber instrument. The horn contributes an interesting character to the music, especially when there is a piano employed. The String Trio of 1984 is here scored for horn, violin, and piano. The Horn Quartet of 1975 is scored for horn, violin, cello, and piano. The Trio is more representative of Simpson's mature style; it tends more toward a melodic polytonality. His Horn Quartet is more rugged, and the scales are tipped toward atonality. Extremely interesting postmodern works.

If you are responsive to Simpson's exhilarating command of musical movement and space you will find this disc as rewarding as any in Hyperion's wonderful recorded cycle.

(Gramophone)

'I am reeling from having listened to this disc. These three major works and a little miniature have all the Simpson features that his symphonies and string quartets revealed: intellectual rigour, dazzling but controlled powers of imagination, and, overall, a craggy grandeur. The Variations, with its enigmatically soft ending, should have you on the edge of your seat. This is a marvellous addition to Hyperion's pioneering series' (Classic CD)

These chamber works center around the horn as a chamber instrument. The horn contributes an interesting character to the music, especially when there is a piano employed. The String Trio of 1984 is here scored for horn, violin, and piano. The Horn Quartet of 1975 is scored for horn, violin, cello, and piano. The Trio is more representative of Simpson's mature style; it tends more toward a melodic polytonality. His Horn Quartet is more rugged, and the scales are tipped toward atonality. Extremely interesting postmodern works.