The Soldier's Tale is a theatrical work ""to be read, played, and danced"" by three actors (the soldier, the devil, and a narrator) and dancers, accompanied by a septet of instruments. The libretto relates the parable of a soldier who trades his fiddle to the devil in return for unlimited economic gain. The music is scored for a septet of violin, double bass, clarinet, bassoon, cornet or trumpet), trombone, and percussion. The libretto is adapted by Roger Waters from the translation by Michael Flanders and Kitty Black, based on the original text by Charles-Ferdinand Ramus. Roger Waters recorded the album because of a personal background as Mr. Waters father went missing in World War II and his grandfather died in battle in World War I. The loss of his father has been a central theme throughout his live and topic for other releases. Telegraph UK: I think I am still preoccupied by the same things that I was 30 years ago. Losing my father, and that attachment that I have to his humanity, is still central to everything that I do Roger Waters adapted the English translation of Lhistoire du Soldat (original title of the piece) and recorded all 3 characters himself with different accents and speaking voices.
EU-only eight disc (seven CDs+DVD) box set from the former Pink Floydian. Contains all of his solo studio work to date plus his live album In The Flesh. Features: The Pros And Cons Of Hitch-Hiking (1984), Radio Kaos (1987) Amused To Death (1992), In The Flesh (two CDs/2000) and Ca Ira (two CDs/2005). Also includes the live In The Flesh DVD recorded June 27th, 2000 at the Rose Garden Arena in Portland, Oregon. Roger Waters was a primary creative force in Pink Floyd from 1965 to 1983.
EU-only eight disc (seven CDs+DVD) box set from the former Pink Floydian. Contains all of his solo studio work to date plus his live album In The Flesh. Features: The Pros And Cons Of Hitch-Hiking (1984), Radio Kaos (1987) Amused To Death (1992), In The Flesh (two CDs/2000) and Ca Ira (two CDs/2005). Also includes the live In The Flesh DVD recorded June 27th, 2000 at the Rose Garden Arena in Portland, Oregon. Roger Waters was a primary creative force in Pink Floyd from 1965 to 1983.
Roger Waters' The Wall, Live In Berlin marks the second in a series of Pink Floyd related reviews I will be writing to commemorate the long awaited release of the band's Pulse DVD, which I reviewed last month. During the end of the 80's, after Roger Waters had left Pink Floyd, he began making plans to perform The Wall as a huge event, originally considering such grand places as the Sahara Desert, Monument Valley, The Grand Canyon, and Wall Street. Around this time, plans were also underway for the reunification of Germany, and the Berlin wall eventually fell in November of 1989.
Roger Waters was Pink Floyd's grand conceptualist, the driving force behind such albums as Dark Side of the Moon, Wish You Were Here, and The Wall. In the wake of Syd Barrett's departure, Waters emerged as a formidable songwriter, but it's this stretch of '70s albums – each one nearly symphonic in its reach – that established him as a distinctive, idiosyncratic voice within rock and, following his departure from Floyd in 1985, he continued to create new works in this vein (notably, 1992's Amused to Death) and capitalized on the enduring popularity of his old band by staging live revivals of Dark Side of the Moon and The Wall in their entireties…
Roger Waters, the man who equated "education" with "thought control" in his pseudo-opera The Wall, is now back and appealing to higher culture in his new opera Ça Ira. Moreover, this is a real opera, with singers, a chorus, and an orchestra with not a single dreamy, overlong electric guitar solo in sight…
Roger Waters The Wall is a new film written and directed by Roger Waters and Sean Evans that combines the concert experience of Pink Floyd‘s The Wall album (as performed on Waters’ 2010-2013 The Wall Live tour) with off-stage ‘road movie’ footage of of the musician and songwriter reflecting on the impact of war on his own family…