This is the lone solo album by sideman Roger "Jellyroll" Troy, a consummate session player who was best known for his collaborations with blues bandleader Michael Bloomfield, including as part of a reunited mid-'70s version of Electric Flag. Troy's bona fides go back even further than that: while still a teen, he was the bassist in the novelty rock band, the Hollywood Argyles, and went on to gigs with James Brown and Freddie King. In 1969 he cut an album as the leader of the band Jellyroll (which was his nickname) and he had considerable success as a songwriter in the early '70s. This album is pretty much pure white soul, with a heavy Muscle Shoals feel: four songs were written by Troy, though tellingly he also covers Dan Penn, whose emotive vocals style is echoed in Troy's own phrasing. Among the many musicians backing him are jazz saxophonist Ernie Watts and pianist/producer Mike Lipskin… Fans of the Atlanta Rhythm Section, Joe Cocker and any number of eclectic Memphis roots/soul bands might want to check this one out.
The late Romanticism of Roger Sacheverell Coke will appeal to anyone who enjoys Rachmaninov or Delius, Grainger or Scriabin. If that sounds an intriguingly eclectic mix, Coke establishes his own distinctive voice, and this is an important addition to the Romantic Piano Concerto series.
I do not exactly remember when I heard the name Rogér Fakhr for the first time. It must have been around 2 years ago during one of these afternoons I spent at Issam Hajali’s jewelery shop on Mar Elias Street in Beirut. We had started working on the idea of re-releasing some of Issam’s music and he proposed his first album “Mouasalat Ila Jacad El Ard”; recorded before starting his band Ferkat Al Ard. As it happened, Rogér had colaborated with Issam in the process of working on the music and recording. They were both living in Paris for some time after each of them have had left Beirut sometime after 1976.
Barclaycard presents British Summer Time Hyde Park, kicks off festival announcements for 2018 with another world-class headliner and the promise of yet another legendary night in the park. Pink Floyd visionary Roger Waters becomes the latest in a long line of era defining artists to grace Hyde Park – one of music’s most spectacular showmen at the greatest outdoor venue in the world. This new tour promises to be no exception, following months of meticulous planning and craft, it will inspire crowds with its powerful delivery to take the audience on a musical journey. Roger Waters – Us + Them will showcase highlights from Waters’ groundbreaking body of work, with songs from Pink Floyd’s greatest albums (Wish You Were Here, The Wall, Animals, Dark Side of The Moon), along with tracks from his critically acclaimed new album “Is This the Life We Really Want?”.
Of all the multitudinous highways and byways down which the enterprising Deep Purple collector can travel, none, perhaps, is so surprising as The Butterfly Ball and the Grasshopper's Feast, Purple bassist Roger Glover's first "solo" album, and – almost incidentally – one of the most delightful children's records ever made. Yes, a children's record. In 1973, Glover was approached about creating a musical adaptation of artist Alan Aldridge and poet William Plomer's book of the same name – a commission that surprised him, but which he nevertheless accepted…