Roof Culture

In the preface, Roof characterizes this two-volume work as "a lexicon of popular religious culture" in contemporary America that pays less attention to "official teachings and practices" than to how these beliefs

As acclaimed indie folk band The Ballroom Thieves wrote and recorded their upcoming album, one central question emerged as the theme: “What if we could all just be a little more tender?” The duo – Calin Peters (vocals, cello, bass) and Martin Earley (vocals, guitar) – started to ponder what they could do to be more self-aware of their mental health and of those around them in a world oversaturated by social media, pop-culture, and digital consumption. The result is a lush, 10-track collection of thoughts on the human experience called Sundust, out April 12. “This group of songs is a self-portrait of our intertwined lives,” shares Peters.

As acclaimed indie folk band The Ballroom Thieves wrote and recorded their upcoming album, one central question emerged as the theme: “What if we could all just be a little more tender?” The duo – Calin Peters (vocals, cello, bass) and Martin Earley (vocals, guitar) – started to ponder what they could do to be more self-aware of their mental health and of those around them in a world oversaturated by social media, pop-culture, and digital consumption. The result is a lush, 10-track collection of thoughts on the human experience called Sundust, out April 12. “This group of songs is a self-portrait of our intertwined lives,” shares Peters.

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It brings together a variety of the timeless songs that they composed in the early sixties for different artists and labels. This version has such classics as Will You Love Me Tomorrow (known by Brenda Lee and The Shirelles), Chains (The Cookies, later by The Beatles), Up on the Roof (The Drifters), The Loco Motion (The Vernons Girls ) And Halfway to Paradise (Billy Fury), just to name a few. The material provides an impressive slice of popular culture, allowing you to hear some of the finest gemstones of the original Pop & Soul era.

In the preface, Roof characterizes this two-volume work as "a lexicon of popular religious culture" in contemporary America that pays less attention to "official teachings and practices" than to how these beliefs are "popularly understood." More than 250 contributors offer 500 articles on diverse religious movements, beliefs, and practices in the United States.

In the preface, Roof characterizes this two-volume work as "a lexicon of popular religious culture" in contemporary America that pays less attention to "official teachings and practices"