Ryuichi Sakamoto, 12

First collaborative album for 13 years from veteran female singer/songwriter Taeko Onuki and Ryuchi Sakamoto. In the early 1970s Onuki was a member of Sugar Babe along with Tatsuro Yamashita, during which time she first met and performed with Sakamoto. Simple album of Onuki's voice accompanied by Sakamoto's piano. Most compositions written by Sakamoto. Undertook a Japan tour in November/December 2010.

The piece consists of several cuts that, except for the introduction and the end, are the repetition of a single musical phrase interpreted - with just a few very subtle changes - with different instruments. Very interesting and, as always Sakamoto in his calm facet, very evocative.

"Travesía" is an album of music by prolific composer, producer, and artist Ryuichi Sakamoto curated by five-time Academy Award-winning filmmaker Alejandro González Iñárritu. The compilation album features twenty tracks handpicked by Iñárritu, who famously collaborated with Sakamoto on his Best Picture-winning film, The Revenant. Taking it's name from the Spanish term for "journey," Travesía spans nearly four decades of Sakamoto's solo work and scores, with Iñárritu taking listeners on a one-of-a-kind trip through the iconic musician's career Travesía is the result of six months' work by Iñárritu, who listened to over a thousand pieces by Sakamoto in order to curate the album's 20-song tracklist. Focusing primarily on the musician's solo work, Iñárritu deliberately chose some of Sakamoto's lesser-known tracks in an attempt to appeal to both frequent listeners as well as a new generation of fans.

'Year Book 1971-1979', a 3 disc compilation of some of Ryuichi Sakamoto's most early recordings and compositions. You can read english descriptions for each track in a pdf file.

Originally released in 2005, Insen is the second collaboration album between Alva Noto and Ryuichi Sakamoto and the second installment of V.I.R.U.S.‘s five albums series. Remastered in 2021 in collaboration with Calyx Studio, the album’s recordings are accompanied by an unreleased composition titled Barco. Initially composed for Alva Noto and Ryuichi Sakamoto’s 2005 Insen tour, the audio material used in this piece is based on the subtle sounds of Barco projectors, whose tonalities served as a ground for the artists’ live improvisation.