Santana

Arriving at the twilight of the 1960s, Santana were psychedelic pioneers who ushered Latin rock into the mainstream with their first three albums: Santana, Abraxas, and Santana III. Thanks to their appearance at Woodstock, their eponymous album was a smash hit right out of the gate, with its single "Evil Ways" making it into the Billboard Top Ten in 1969. They remained at the top of the charts until 1973, when leader and namesake guitarist Carlos Santana began exploring esoteric, spiritual jazz fusion on his own. Carlos may have wandered away from the band who shared his name, but he always returned to the group, sustaining them through years both productive and fallow.

Billed as the first Santana compilation to span his entire career, it is true that Ultimate Santana does indeed run the gamut from 1969's "Evil Ways" to 2002's "Game of Love," but if you think that means it handles all phases of his career equally, you'd be sadly mistaken. Essentially, this 18-track set plays like a collection of highlights from his Supernatural-era comebacks, spiked with a couple of classic rock oldies – because that's what it really is. It contains no less than ten superstar duets, including new numbers with Nickelback's Chad Kroeger (the streamlined and smoothed "Into the Night," which has little of Kroeger's trademark growly histrionics) and Jennifer Lopez and Baby Bash ("This Boy's Fire," a dance number where Santana seems incidental), plus a version of "The Game of Love" with Tina Turner (don't worry, the lighter, brighter, superior Michelle Branch version is here too) and plus "Interplanetary Party," which is a new band recording that sounds like a star duet.

In the late 1960s, when acid rock reigned and the British Invasion was still raging, Carlos Santana and his band introduced a Latin-based rock sound featuring an Afro-Cuban beat. Carlos Santana was a fourth-generation musician and the son of a violinist who played mariachi music. His father tried for many years to teach him violin, but at age eight, Santana discovered the guitar and started listening to the electric blues of B.B. King and John Lee Hooker and that was the end of it. During his long-lasting career, Carlos Santana’s name has become synonymous with some of the most important genres of music today - jazz, Latin, salsa, blues and rock.

Santana was still a respected rock veteran in 1999, but it had been years since he had a hit, even if he continued to fare well on the concert circuits. Clive Davis, the man who had signed Santana to Columbia in 1968, offered him the opportunity to set up shop at his label, Arista. In the tradition of comebacks and label debuts by veteran artists in the '90s, Supernatural, Santana's first effort for Arista, is designed as a star-studded event…

Santana's self-titled debut album announces the arrival of a new Guitar God. Made during the legendary bandleader's most fruitful and creative period, the classic 1969 set functions as an accessible entry point into the tangy worlds of Latin music by way of an intoxicating blend of Afro-Cuban percussion, jazzy tempos, exotic leads, bluesy riffs, and psychedelic accents.