Screw Compressor

After recording one of their darkest albums, 1984's The Top, the Cure regrouped and shuffled their lineup, which changed their musical direction rather radically. While the band always had a pop element in their sound and even recorded one of the lightest songs of the '80s, "The Lovecats," The Head on the Door is where they become a hitmaking machine. The shiny, sleek production and laser-sharp melodies of "Inbetween Days" and "Close to Me" helped them become modern rock radio staples and the inspired videos had them in heavy rotation on MTV. The rest of the record didn't suffer for hooks and inventive arrangements either, making even the gloomiest songs like "Screw" and "Kyoto Song" sound radio-ready, and the inventive arrangements…

Original Album Series contains the first five albums from the mighty Dayton funk band Slave: Slave (1977), The Hardness of the World (1977), The Concept (1978), Just a Touch of Love (1979), and Stone Jam (1980). Each disc is in a thin cardboard pouch with reproductions of the original front and back sleeve designs. Since the series limits itself to five discs, the band's phenomenal sixth album – Show Time (1981) – couldn't fit, but this is a convenient way to snap up the majority of the output from one of the planet's best funk bands. Not even the two-disc The Definitive Groove Collection covers all the great singles and album cuts featured within this small box.

Misfits & Mistakes: Singles, B-sides & Strays 2007–2023 is Superchunk's fourth singles compilation, a massive 4-LP or 2-CD collection covering their triumphant return from hiatus up to 2023. The amount of music within its gorgeous packaging is staggering: 50 songs (16 of which are on physical media for the first time) sourced from out-of-print releases, digital singles, compilations, and more—a vital piece of the Superchunk canon.In the tradition of Superchunk singles compilations, Misfits & Mistakes houses non-album tracks, demos, and cover songs culled from 7-inches, compilations, and previously internet-exclusive artifacts. Featuring extensive liner notes by Mac McCaughan (with additional notes from Laura Ballance), the collection tells the story of each release, from why they chose to cover songs by The Misfits, The Cure, Destiny’s Child, and Bananarama, to working with collaborators like Katie Crutchfield (Waxahatchee), Jane Wiedlin (The Go-Go’s), Eleanor Friedberger, Damian Abraham (Fucked Up), Norman Blake and Raymond McGinley (Teenage Fanclub), and more!

At the time Rare Masters was released in 1992, most of the selections on this 37-track double-disc compilation were indeed rare. They were issued on non-LP singles, B-sides, the Friends soundtrack, one-offs; some were buried on album tracks, and some even stayed in the vault. Since then, Elton John's catalog has been remastered and reissued, with much of the best of this material appearing as bonus tracks, but the album still was worthwhile, since it not only has some songs that never appeared elsewhere on disc (such as "Step Into Christmas"' B-side, "(Ho Ho Ho) Who'd Be a Turkey at Christmas"), but it also is a hell of a listen in its own right, showcasing great songs and forgotten gems from John's prime period.

It was designed to be a blockbuster and it was. Prior to Goodbye Yellow Brick Road, Elton John had hits – his second album, Elton John, went Top Ten in the U.S. and U.K., and he had smash singles in "Crocodile Rock" and "Daniel" – but this 1973 album was a statement of purpose spilling over two LPs, which was all the better to showcase every element of John's spangled personality…

There are countless Bob Marley compilations on the market, but what will generate some interest in this one, which is essentially a collection of his Island singles with a handful of his Lee "Scratch" Perry-era tracks added in, is the inclusion of a "new" Marley song, "Slogans," derived from a demo tape Marley made in a Miami hotel room in 1979…

Formed in Buffalo, New York, in 1989, MERCURY REV quickly grew to become leading figures in left field alternative rock. Earlier albums veered towards experimental, off-kilter psychedelia but by the end of the decade, the band had developed their own brand of serene, piano-based Americana with the acclaimed, best-selling LP Deserter’s Songs (1998).