One of my pet theories is that one of the kickstarts for creative indigenous jazz in Europe was the tours undertaken there by Eric Dolphy as a leader (late summer 1961, summer 1964) and with John Coltrane (winter 1961) and Charles Mingus (summer 1964). The passage through the region of such an iconoclastic figure as Dolphy, particularly at these two hypercreative moments for him, must have had some effect on the local musicians who heard or, in some cases, played with him. Those tours were documented and are back in the forefront with a two-disc reissue of a Swedish concert from September 1961.
Schnittke completed this symphony in 1980. Complexity can't be the delaying factor; his Fourth Symphony also requires soloists and a choir. The Second is not as forbidding as some of the composer's other symphonies, and it strikes me one of his best, so approachability and quality don't seem to be factors, either. The work's subtitle refers to the composer's visit in 1977 to the burial place of Anton Bruckner. Schnittke was moved by the setting sun, the mysterious feel of the Baroque Church of St. Florian, and the choir singing an evening mass somewhere out of his sight. When Gennady Rozhdestvensky requested a new work from Schnittke for the BBC Symphony Orchestra, he reminded the composer about his St. Florian experience, and the Second Symphony took off from there.
The German composer Johann Gottlieb Naumann is mostly known for his operas. One of them, Gustav Wasa, which he composed in Sweden in 1786 and which he considered his best work, even became a Swedish national opera. This recording shows a lesser known aspect of Naumann's output: his sacred compositions. It contains three works: a large-scale cantata and two short pieces, which are much more modest in scoring and style.
2CD compilation of live performances by Deep Purple at Paris Theatre, London, February 22th 1972 and at Concerthouse - Stockholm, November 12th 1970, released in 1993 by Italian label Nota Blu Musica.