Saint Francois D’assise

The most ambitious work by 20th-century French master Olivier Messiaen, Saint Francis is also his most all-embracing. He spent nearly a decade creating the opera, which not only encapsulates the composer's abiding Catholic faith but draws on a lifetime of musical discovery and brings together the elements of Messiaen's far-ranging, rich vocabulary: birdsong and nature as a source for music, Eastern modes, complex rhythms derived from ancient Greek poetry and Hindu talas, plainsong, and percussive gamelan-like sonorities, to list a few of the most salient. Messiaen chose Francis for operatic representation as the saint "most like Christ" and wrote his own libretto, using the gentle poetry of the Fioretti.

Alliant simplicité et prestige, humilité et ascendant, ouverture et refus, physique ordinaire et rayonnement exceptionnel, François répond aux attentes d'une grande partie de ses contemporains. À la nouvelle société urbaine qui s'installe, il propose l'alternance entre l'action dans la ville et le retrait érémitique, mais aussi la route et le pèlerinage…

'Les Fioretti' (petites fleurs) sont l'ouvrage le plus connu et le plus populaire sur Saint François d'Assise. En effet, comment ne pas être sensible à la poésie de la prédication, aux oiseaux ou à l'émotion du récit sur la Joie parfaite ? …

A co-production with the Bru Zane Foundation, Naïve is delighted to release the world première recording of Saint Francis of Assisi by Gounod, whose bicentenary we celebrate in 2018. Under the direction of Laurence Equilbey, a world-class cast finally gives the work – complemented on disc by Liszt's Legend of Saint Cecilia – the exposure the musical world has been waiting for.

L'auteur confie sa fascination pour saint François d'Assise, personnage historique qui, au coeur du tournant décisif du XIIe au XIIIe siècle, fait bouger la religion, la civilisation et la société. Recueil des textes consacrés au saint par l'historien. …

Saint François d'Assise is unique among operas. Decidedly anti-dramatic (there is little or no action), it fulfills Messiaen's aim to present the journey of St. Francis' soul toward grace. St Francis advises another monk, Brother Leon; he meets a leper, kisses and cures him; he encounters an angel; he preaches to the birds; he prays for and receives the Stigmata; he dies. The tempo, save for a few moments, remains stubbornly moderate; if you do not give in to this fact and wish for something else, you're lost.
–Robert Levine, ClassicsToday.com