Saint Francois D’assise

Canticum Novum sheds new light on the wonderful medieval repertory of Tuscan laude. Taken from the Laudario di Cortona, these popular sacred songs of praise from the time of St Francis of Assisi, overflowing with poetry and sunshine, are transcended by Emmanuel Bardon and his ensemble. Appropriating another culture and playing it through the prism of ones own culture, not to imitate it but to resonate with it: this I show the art project Canticum Novum has been defining its deep self for many years now. Working this way, the musicians forming the ensemble constantly question their own musical identity, the way they play their instruments. They often accept to leave their comfort zone and to relearn how to play, adapting to the repertory to be interpreted and their present colleagues. The idea is not to contort oneself in order to play another repertory but to move towards it.

Tout le monde a entendu parler, un jour ou l’autre, de François d’Assise, ce saint italien du xiiie siècle qui aimait la pauvreté, prêchait aux oiseaux et serait le premier stigmatisé de l’histoire.
Malgré la sympathie générale qui entoure sa figure, le « Pauvre d’Assise » reste cependant mal connu du public, car son image a parfois été brouillée par des interprétations édifiantes ou fantaisistes qui ont affadi ou dénaturé son message. …

A collaboration between Edgar Fruitier, classical music expert and collector, Cardinal Jean-Claude Turcotte and Cardinal Marc Ouellet, this 6 CD collection of sacred music is a classical's music lover's dream.