Saint Martin

Comment fabrique-t-on un monstre, un nouveau portrait de "l'Incorruptible"
Le parti pris de cette nouvelle biographie de Robespierre – qui fait sa valeur et son originalité – est le refus revendiqué de toute approche psychologisante, de tout affect et de tout sensationnalisme. Nous voyons ainsi évoluer l'homme parmi ses pairs et ses rivaux, dont beaucoup ont partagé avec lui les mêmes expériences : une enfance difficile, une adolescence studieuse et une réussite sociale, mondaine et littéraire précoce…

This new album of Orchestral Works by Errollyn Wallen, performed by the BBC Concert Orchestra under the direction of John Andrews, offers a rich journey through over two decades of the composer's diverse and innovative music.

The cello's rich, singing tones are a perfect match for the passionate eloquence of the Romantic era. In the masterful hands of David Berlin, Principal Cellist of the Melbourne Symphony Orchestra, partnered by internationally acclaimed pianist Benjamin Martin, the cello reveals its sublime range of colours and timbres. This intimate album presents radiant music for cello and piano from three masters of the French Romantic: the lyrical beauty of Chopin, the elemental power of Saint-Saëns, and serene elegance from Louise Farrenc.

The Saint (Sir Roger Moore) is a modern day Robin Hood of sorts. He prevents criminals from succeeding . Where a reward is offered, or the criminals loot is not discovered or "lost", he keeps it to cover his expenses.Simon Templar must always stay one step ahead of the law. Fortunately, his wit, charm, and knowledge of a criminal's ways makes it a fairly easy task.

In the last years of his life, Johann Sebastian Bach brought together some of his most profound musical reflections in the collection known as the Leipzig Chorales - a series of 18 organ works that combine spiritual depth, contrapuntal mastery and expressive richness.

Jeremy Denk is joined by The Saint Paul Chamber Orchestra for two Mozart concertos—No. 25 in C Major, K. 503 and No. 20 in D minor, K. 466—bookending the composer’s solo Rondo in A minor, K. 511.