Though barely remembered now, both Salomon Jadassohn and Felix Draeseke were major figures in German musical life in the second half of the 19th century. Both began their studies at the conservative Leipzig Conservatory but after independently encountering Liszt and his work at Weimar in the 1850s both became disciples of that composer and the New German School he established. Jadassohn subsequently returned to Leipzig where he composed and had a long and distinguished teaching career, his pupils including Delius, Grieg and Busoni, while Draeseke finally ended up in Dresden teaching at the Conservatory there.
The concept of The Romantic Piano Concerto series was born at a lunch meeting between Hyperion and the BBC Scottish Symphony Orchestra sometime in 1990. A few months later tentative plans had been made for three recordings, and the first volume, of concertos by Moszkowski and Paderewski, was recorded in June 1991. In our wildest dreams, none of us involved then could ever have imagined that the series would still be going strong twenty years later, and with fifty volumes to its credit.
Michael Denhoff (born 25 April 1955 in Ahaus) is a German composer and cellist. Denhoff has lived and worked in Bonn since 1982. He studied at the Musikhochschule in Cologne, where his teachers included Günter Bialas and Hans Werner Henze (composition), Siegfried Palm and Erling Blöndal Bengtsson (cello) and the Amadeus Quartet (chamber music)…
Ciurlionis composed these works for string quartet in 1901 and 1902 mostly while studying under Salomon Jadassohn at the Leipzig Conservatory. The canons and fugues move from serious and contemplative to bursting with joy. These are my personal favorites of his musical compositions. I never tire listening to them.Baltic Books @ Amazon.com
Adolf Barjansky was born in Odessa into a wealthy Russian-Jewish family, and received his musical education in Vienna, Paris and Leipzig, studying piano with Carl Reinecke and Salomon Jadassohn. Barjansky’s compositions focus mainly on solo piano works couched in conventional forms, enhanced by his use of imagery, impressions and spatial sound. The two expansive sonatas in this volume display his fusion of lyricism and poignancy, as well as an adaptable sense of modern harmony. The Moderato in B major is at times suggestive of early Scriabin. Julia Severus continues her acclaimed discovery of this unique and visionary 19th-century composer.
Mikalojus Konstantinas Ciurlionis, whose musical career ceased when he fell into an abyss of depression, is best remembered for establishing professional art in Lithuania and for exemplifying the interests of the Symbolist and Modernist movements, through his paintings and his chromatic, mysterious, and folkloric – yet cosmopolitan – compositions. He was most strongly influenced in these areas midway through his life by his travels, his own reflections on the culture and politics of his fatherland, and by the attitudes of his close friend Eugeniusz Morawski, who was following the two movements when the men met………From Allmusic
Mikalojus Konstantinas Ciurlionis, whose musical career ceased when he fell into an abyss of depression, is best remembered for establishing professional art in Lithuania and for exemplifying the interests of the Symbolist and Modernist movements, through his paintings and his chromatic, mysterious, and folkloric – yet cosmopolitan – compositions. He was most strongly influenced in these areas midway through his life by his travels, his own reflections on the culture and politics of his fatherland, and by the attitudes of his close friend Eugeniusz Morawski, who was following the two movements when the men met………From Allmusic