Sandman Act

The groundbreaking audio production of what Los Angeles Times Magazine called “the greatest epic in the history of comic books” continues. Leading perhaps the best cast ever assembled in audio, James McAvoy returns to voice Morpheus, the Lord of Dreams, in The Sandman: Act III, the third installment of the New York Times best-selling audio saga. Award-winning audio trailblazer Dirk Maggs adapts the blockbuster DC graphic novel series written by Neil Gaiman (Good Omens) into another fully immersive listening experience, presented for the first time in breathtaking 3D audio. …

Considéré par le Los Angeles Times Magazine comme "la plus grande épopée de l'histoire des comics", The Sandman a révolutionné l'univers des comics et a amorcé un phénomène culturel mondial avec son univers sombre et littéraire, rempli d'horreur et de fantasy. Audible et DC sont heureux de présenter la toute première production audio des romans graphiques de DC acclamé par le New York Times écrit par le célèbre auteur Neil Gaiman. …

Alors que le premier volet de la série audio dramatique The Sandman connaît un succès fulgurant, retrouvez son univers fantastique et sombre dans The Sandman : Acte II. L'intrigue vous plongera au cœur de la Révolution française, de la Rome antique, dans le San Francisco du 19e siècle, ou à Bagdad au 8e siècle et vers d'autres contrées. …

Hurts - Exile (2013) {Major Label-Sony Music 88765433522}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 351 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 2013 Major Label / Sony Music | 88765433522
Pop / Synth Pop / New Wave

Even before their debut album, Happiness, became one of the fastest-selling albums in the U.K. in 2010, Manchester duo Hurts already had a rabid online fan base, stoked by several arch, expertly art-directed videos that the group self-produced, which captured the eye while showcasing the band's mix of '80s synth pop melodicism, Krautrock angularity, and '90s Hi-NRG balladry. The videos expertly juxtaposed a Helmut Newton-esque black-and-white aesthetic with the group's musical love of dance-club dramatics, á la Depeche Mode, Erasure, and Pet Shop Boys, eventually attracting the attention of Euro-pop diva Kylie Minogue, who ended up singing on the track "Devotion."