Thanks to the surprising proliferation of Mahler’s music on DVD, there are multiple performances of this particular symphony with which to compare this new one (not least among them Bernstein’s and Abbado’s); there is also Boulez’s own previous performance with the Vienna Philharmonic, made a couple of months after this concert, available on one generous DG CD, to consider by way of comparison.
Collection includes all studio albums in original and expanded remastered editions, also includes compilation 'Catch The Breeze'.
Drawing from the pioneering work of artists like Throbbing Gristle, Cabaret Voltaire, and Suicide, the dark avant-industrial group Skinny Puppy formed in 1982 in Vancouver, British Columbia. Originally a duo comprised of former Images in Vogue drummer cEvin Key (born Kevin Crompton) and Nivek Ogre (aka Kevin Ogilvie), Skinny Puppy followed their debut cassette, Back and Forth, with the EP Remission, the first of many recordings with producer David "Rave" Ogilvie, in 1984…
A major influence on British guitar heroes of the '70s such as Jeff Beck and Jimmy Page, Hank Marvin played lead guitar for the Shadows, one of the U.K.'s top instrumental outfits and backing band for Cliff Richard on most of his hits. Born Brian Robson Rankin on October 28, 1941, Marvin grew up in Newcastle learning guitar, banjo and piano. He played in various skiffle groups around the area, and met up with rhythm guitarist Bruce Welch.
Even when the industrial revolution happened, few North American bands sounded as manic and dense as the mighty Skinny Puppy. Tackling unpopular political topics, blurring distorted vocals into synth lines, sampling news broadcasts and horror films – these were the tactics that Skinny Puppy utilized on VIVIsectVI, one of their true masterpieces.
I’ve long overlooked Pepper’s later work, there is so much good stuff in his prime, but when I stumbled on this lovely three box set recorded in 1977, and with one of my recent favourite bassists, George Mraz, and Mr Elvin Jones on drums, a second opinion was long overdue. Recorded over three nights before a relaxed appreciative audience (no jackass stomping hooting or whistling, – apologies to those who welcome the more demonstrative audience ) this live set automatically has you turning the lights down low and joining the audience, a decanter positioned strategically within arms reach.