Shine, Jessica Jung

The Sächsisches Vocalensemble under Matthias Jung has now recorded its second selection of Christmas gems for cpo from one of the most important collections of Lutheran church music, the St. Augustin School in Grimma, Saxony. The focus: festive, magnificent church cantatas (most of them including Christmas trumpet splendor) by composers from Central Germany who were famous musicians and held prominent posts during the years before and after 1700. To name only a few: Johann Schelle, Philipp Heinrich Erlebach, and Johann Rosenmüller, as well as composers such as Christian Liebe or Gottfried Vogel who are no longer remembered today but whose music brings wonder to modern listeners.

The conventional wisdom about Venetian Antonio Lotti, composer of the a cappella masterwork "Crucifixus," is that as a card-carrying member of the stil antico he represented a conservative viewpoint akin to that of his later contemporary Leonardo Leo – the fewer instruments the better, the closer to the polyphonic language of Palestrina the better. Moreover, if the "Crucifixus" was the only work of Lotti that someone became acquainted with, then he/she could not be blamed for believing this was so, although he/she might note the distinct Baroque harmonic coloring of the piece as being rather unlike that of Palestrina. Here is a challenge for you – CPO's Antonio Lotti: Vesper Psalms performed by the Sächsisches Vocalensemble and Batzdorfer Hofkapelle under Matthias Jung.