Shostakovich Dsd

Scottish Ensemble - Ravel + Shostakovich (2015)  Vinyl & HR

Posted by v3122 at Jan. 23, 2022
Scottish Ensemble - Ravel + Shostakovich (2015)

Scottish Ensemble, Clio Gould - Ravel: Petite Symphonie à Cordes
Shostakovich: Chamber Symphony (2015)

SACD ISO | DSD64 2.0 & 5.1 > 1-bit/2.8224 MHz | ~ 2.68 GB
or DSD64 2.0 & 5.1 (SACD-ISO => Tracks.dff) > 1-bit/2.8224 MHz | ~ 792 Mb or 1.91 GB
or 24-bit/96 kHz | Flac 2.0 & 5.1 (Tracks) | ~ 695 Mb or 1.34 Gb
Classical | Linn Records | Artwork: 140 Mb

This is the world premiere recording of Rudolph Barshai’s arrangements of Ravel and Shostakovich string quartets…

Bernard Haitink - Shostakovich: Symphonies Nos.5 & 9 (1981,1982/2021)  Vinyl & HR

Posted by v3122 at March 19, 2022
Bernard Haitink - Shostakovich: Symphonies Nos.5 & 9 (1981,1982/2021)

Bernard Haitink, Royal Concertgebouw Orchestra, London Philharmonic Orchestra -
Shostakovich: Symphonies Nos.5 & 9 (1981,1982/2021)

DSD64 2.0 | 1-bit/2.8224 MHz | Time: 01:12:28 | ~ 3.08 GB
or 24-bit/96 kHz | Flac(Tracks) | ~ 1.08 Gb
Classical | Decca / Esoteric | SACD-R

~ SACD, Hybrid, Stereo, Album, Limited Edition, Numbered, Remastered, Special Edition ~
National Symphony Orchestra of Ukraine, Theodore Kuchar - Shostakovich: Jazz Suites (2006)

National Symphony Orchestra of Ukraine, Theodore Kuchar - Shostakovich: Jazz Suites (2006)
SACD ISO | DSD64 2.0 & 5.1 > 1-bit/2.8224 MHz | ~ 3.63 GB
or DSD64 2.0 & 5.1 (SACD-ISO => Tracks.dff) > 1-bit/2.8224 MHz | ~ 948 Mb or 2.71 GB
or 24-bit/88.2 kHz | Flac 2.0 & 5.1 (Tracks) | ~ 809 Mb or 2.21 Gb
Classical | Brilliant Classics, 7096 | Artwork: 21 Mb

~ Recorded: June 1-8, Grand Studio of the National Radio Symphony Company of Ukraine in Kiev ~
[/center
St. Petersburg Academic SO, Alexander Dmitriev - Shostakovich: Symphony 7 'Leningrad' (2005) MCH PS3 ISO + DSD64 + Hi-Res FLAC

Saint Petersburg Academic Symphony Orchestra, Alexander Dmitriev - Shostakovich: Symphony 7 'Leningrad' (2005)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 66:08 minutes | Full Scans included | 3,57 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 1,50 GB
or FLAC 2.0 (carefully converted & encoded to tracks) 24bit/96 kHz | Full Scans included | 1,35 GB
DSD Recording | Features Stereo and Multichannel Surround Sound | Water Lily Acoustic # WLA-WS-77-SACD

This recording, though brand new, has already acquired an almost unprecedented level of historical significance. This was the orchestra that gave the first performance in the besieged city of Leningrad of Shostakovich’s profoundly moving wartime symphony. Now, sixty years later, they return to the work with which they will always be ineradicably associated in a performance of shattering power and cinematic vividness of imagery.
Vasily Petrenko, RLPO - Shostakovich: Symphony No. 7 'Leningrad' (2013/2015) [DSD64 + Hi-Res FLAC]

Royal Liverpool Philharmonic Orchestra, Vasily Petrenko - Shostakovich: Symphony No. 7 'Leningrad' (2013/2015)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 79:07 minutes | 1,87 GB
FLAC (tracks) 24-bit/96 kHz | Time - 79:07 minutes | 1,64 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Another volume in the highly acclaimed complete cycle of Dmitry Shostakovich symphonies from conductor Vasily Petrenko, leading the Royal Liverpool Philharmonic Orchestra on the Seventh Symphony, written during the Nazi invasion of the Soviet Union in 1941. Initially the composer gave each movement a programmatic title but later withdrew them, leaving this epic work as an historic emblem of heroic defiance in the face of conflict and crisis.
Vasily Petrenko, Royal Liverpool Philharmonic Orchestra - Shostakovich: Symphonies Nos. 2 & 15 (2012/2015) [DSD64 + FLAC]

Royal Liverpool Philharmonic Orchestra, Vasily Petrenko - Shostakovich: Symphonies Nos. 2 & 15 (2012/2015)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 66:53 minutes | 1,54 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 66:53 minutes | 1,22 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The seventh entry in Vasily Petrenko's outstanding sequence of Shostakovich symphonies pairs two works that stand at opposing poles of Shostakovic's creative life but present similar interpretive puzzles. The 2nd Symphony, written to commemorate the 10th anniversary of the October Revolution, begins with music as modernistic as anything Shostakovich ever wrote but ends in a bombastic choral setting of Leninist agitprop poetry. The 15th Symphony, the composer's last, swerves from an almost giddy sense of play to death-haunted musings to a bleak serenity; along the way Shostakovich mixes in enigmatic allusions to Rossini and Wagner. In both pieces, esteem for the music sits alongside bafflement at what these pieces mean, and what they say about the composer's elusive inner life.
Vasily Petrenko, RLPO - Shostakovich: Symphony No. 7 'Leningrad' (2013/2015) [DSD64 + Hi-Res FLAC]

Royal Liverpool Philharmonic Orchestra, Vasily Petrenko - Shostakovich: Symphony No. 7 'Leningrad' (2013/2015)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 79:07 minutes | 1,87 GB
FLAC (tracks) 24-bit/96 kHz | Time - 79:07 minutes | 1,64 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Another volume in the highly acclaimed complete cycle of Dmitry Shostakovich symphonies from conductor Vasily Petrenko, leading the Royal Liverpool Philharmonic Orchestra on the Seventh Symphony, written during the Nazi invasion of the Soviet Union in 1941. Initially the composer gave each movement a programmatic title but later withdrew them, leaving this epic work as an historic emblem of heroic defiance in the face of conflict and crisis.
Russian National Orchestra, Paavo Berglund - Shostakovich: Symphony No. 8 (2006) [DSD64 + Hi-Res FLAC]

Russian National Orchestra, Paavo Berglund - Shostakovich: Symphony No.8 (2006)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 66:30 minutes | 1,55 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 66:30 minutes | 1,19 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

This recording of Shostakovich's Symphony No. 8 won a Supersonic Award from Luxembourg magazine Pizzicato in 2006 in a review that praised this "masterful interpretation" of a "moving symphony." Part of a Shostakovich cycle from the Russian National Orchestra led by different conductors, this volume is helmed by Paavo Berglund.
Gürzenich-Orchester Köln, Dmitrij Kitajenko - Dmitri Shostakovich: Symphonies Nos. 1-15 (2005)

Gürzenich-Orchester Köln, Dmitrij Kitajenko - Dmitri Shostakovich: Symphonies Nos. 1-15 (2005)
12 x DSD64 2.0 | 1-bit/2.8224 MHz | Time: 12:31:40 | ~ 31.20 GB
or 12 x 24-bit/192 kHz | Flac(Tracks) | ~ 14.45 Gb
Classical, Orchesral | Label: Capriccio | 12 SACD-BOX

When this cycle of the symphonies of Shostakovich with Dmitri Kitajenko conducting the Gürzenich-Orchester Köln was released in 2005, Shostakovich cycles were no longer the novelties they had been in the latter years of the twentieth century. There were already several superlative cycles in circulation – the monumental Kondrashin, the modernist Rozhdestvensky, the anguished Barshai – and a pair of superlative cycles nearing completion – the commanding Jansons and the compelling Gergiev – when the Kitajenko – Köln cycle was issued on Capriccio in superaudio sound…
Evgeni Koroliov, Pražák Quartet - Shostakovich: String Quartets, Opp. 108 & 110; Piano Quintet, Op. 57 (2010)

Evgeni Koroliov, Pražák Quartet - Shostakovich: String Quartets, Opp. 108 & 110; Piano Quintet, Op. 57 (2010)
EAC | FLAC | Image (Cue & Log) ~ 310 Mb | Total time: 66:34 | Scans included
Classical | Label: Praga Digitals | PRD/DSD 250 270 | Recorded: 2009, 2010

The back cover of this Czech release promises "certainly the most intense chamber programme that might be dedicated to the joint memory of Sviatoslav Richter and Dmitry Shostakovich," and the performances live up to the billing. The first half of the program is given over to a pair of string quartets from the year 1960, around the point where Shostakovich's inward turn following his denunciation by Soviet cultural commissars merged with his reflections on the violence of modern war to create a uniquely modern tragic dialogue.