Shostakovich: Mariss Jansons

This seventh and final installment of the Anthology of the Royal Concertgebouw Orchestra covers the years 2000 to 2010, a rich period in the orchestra's history largely characterized by the changing perspectives of a new century. Indeed, it was in 2004 that Riccardo Chailly relinquished his position as chief conductor, to be replaced by the Latvian maestro Mariss Jansons, who shifted the orchestra's focus more towards Tchaikovsky, Richard Strauss and Shostakovich. A generation of orchestral players retired and were succeeded by a group of outstanding young musicians, most of them hailing from outside the Netherlands, resulting in a growing internationalization of the Royal Concertgebouw Orchestra. Also in this period, the launch of the orchestra's own in-house record label, RCO Live, breathed new life into its rich recording tradition.

With more than 7 hours of tender music by Tchaikovsky, Mozart, Debussy, Puccini and more, performed by greats like Luciano Pavarotti, Andre Previn and Jose Carreras, this set can complete any romantic evening at home. And if we can't play upon your heart strings, 100 classics for this low price is quite a deal.

It's a tall order to compile the best classical music of the twentieth century, but EMI has selected its top 100 classics for this six-disc set, and it's difficult to argue with most of the choices. Without taking sides in the great ideological debates of the modern era – traditionalist vs. avant-garde, tonal vs. atonal, styles vs. schools, and so on – the label has picked the composers whose reputations seem most secure at the turn of the twenty-first century and has chosen representative excerpts of their music. Certainly, the titans of modernism are here, such as Igor Stravinsky, Arnold Schoenberg, Béla Bartók, Dmitry Shostakovich, Sergey Prokofiev, Claude Debussy, and Benjamin Britten, to name just a few masters, but they don't cast such a large shadow that they eclipse either their more backward-looking predecessors or their more experimental successors.

This new release features the Finnish Radio Symphony Orchestra under the baton of Sakari Oramo performing Sergei Prokofiev’s Symphonies Nos. 5 and 6. These two symphonies, composed in 1944 and 1947, are very different in mood, but stylistically closely related. The Fifth was written amid the chaos of the Second World War and seeks to find a positive solution; but in the Sixth, completed soon after war, the mood is darker. Both feature Prokofiev’s melodic writing at its best.

RCO - Anthology of the Royal Concertgebouw Orchestra, Volume 6, 1990-2000 (2011) {14CD Box Set, RCO 11004} (Complete Artwork)
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 4.36 Gb | MP3 @320 -> 2.40 Gb
Full Artwork @ 300 dpi (jpg) -> 141 Mb | 5% repair rar
© 1990-2000, 2011 Radio Netherlands Music / RCO LIve | RCO 11004
Classical / Orchestral

I bought this shortly after my first visit to the Concertgebouw itself, when I was bowled over by the hall's superb acoustics and atmosphere. So these live broadcast recordings were pungent evocations of the experience. But even without that, this is a box worth having, if you can afford it. The first two discs alone are dynamite: a marvellously dramatic, idiomatic account of Bartok's Bluebeard's Castle with Ivan Fischer and Hungarian soloists, followed by one of the best Mahler Fifths I've heard, from Tennstedt in 1990.

This is the follow up to the extremely popular album Best Classics 100. The 6 CDs are themed differently from those in the first album and cover 'Spectacular Classics', 'Eternal Classics', 'Romantic Classics', 'Instrumental Classics', 'Nostalgic Classics' and 'Favourite Encores'.

The Anthology of the Royal Concertgebouw Orchestra is a recorded history of six decades of performances by the Concertgebouw Orchestra, taken from broadcasts contained in the archives of Dutch Radio and Radio Netherlands World Service. RCO Live has chosen not only legendary performances under chief conductors of the RCO but also concerts led by countless guest conductors of both greater and lesser renown. The sixth volume of the anthology features broadcasts from the 1990s, and presents a fascinating and colorful portrait of the orchestra s artistic development under various conductors during that period.