Deep Nature Mysticism by Tomas Weiss/Mathias Grassow and guests.
North Passage (2008). "Norvegia" opens the disc, a low drone bed with occasional sounds overtop, a very beautiful atmospheric piece that brings to mind the Nostromo disc by Sleep Research Facility. Very dark and somewhat ominous, "Norvegia" is inspired in its approach at conjuring a dark atmosphere. The transition into "Arkona" is nearly imperceptible, but as time passes it becomes clear that new elemements have been added to the sound. A haunting call, a deeper drone, we've clearly entered new territory but it all feels to be part of the same journey, a logical step in our travels…
We could call Lands End the first "aquatic progressive" band. The fact that they live on the shores of the Pacific Ocean seems like it has quite inspired these musicians and we find many allusions to the sea in their albums. Starting from rather simple neo Progressive rock, they built their own style made of energetic guitar assisted by keyboards, over which added vocals. Their music is very progressive, somewhere in the middle between Pink Floyd, Genesis and Yes, and the musicians don't hesitate to adventure themselves into long instrumental jams.
The Haunting song of the whales invites us to explore the very depths of our being. This album is one of Terry’s most brilliant classics; His flute playing is so profoundly moving that it seems to draw us ever closer to a deeper communion with nature and that elusive sense of belonging for which we all yearn.
The Depths Of Winter is the third release from multi-instrumentalist Peter Jones. "The Depths of Winter is an album based on wintery concepts, and stories which take place in the winter season," explains main man Jones. "There are a number of different themes explored on this album, including winter folk tales and characters such as the Ojibwe wind spirit, Biboon, the Viking legends of Baldr, Loki and Frigga, and the death of English folklore hero, Robin Hood." This new outing sees Tiger Moth Tales taking on a somewhat more mature sound, tackling some darker but less personal themes that are predominantly based on wintery concepts, and stories that take place in the winter season.
The Depths Of Winter is the third release from multi-instrumentalist Peter Jones. "The Depths of Winter is an album based on wintery concepts, and stories which take place in the winter season," explains main man Jones. "There are a number of different themes explored on this album, including winter folk tales and characters such as the Ojibwe wind spirit, Biboon, the Viking legends of Baldr, Loki and Frigga, and the death of English folklore hero, Robin Hood." This new outing sees Tiger Moth Tales taking on a somewhat more mature sound, tackling some darker but less personal themes that are predominantly based on wintery concepts, and stories that take place in the winter season.
Silent Hill Sounds Box is a collection of the Silent Hill game soundtracks.
Strings played at the bridge in streaking glissandi. Atonal clusters, filled in down to quarter-tones. Thundering piano chords. And what horror score is complete without the standard tool of surprise, the orchestra hit? These elements, in part derived from the early work of Polish composer Krzysztof Penderecki, which was itself featured prominently by Stanley Kubrick in The Shining, have become staples of horror scoring. While some of these elements appear in Akira Yamaoka's scores for the Silent Hill series, he focuses more on slowly building and maintaining an unsettling atmosphere than on startling the audience, much like the games themselves. The music is not only atypical as game music, but also atypical as horror music, and while it manifests elements of various genres such as trip-hop, industrial, and hard rock from time to time…