Silver Angels

Cardboard sleeve reissue from Bad Company featuring the 2010 24-bit digital remastering. Part of a six-album Bad Company reissue series featuring albums "Bad Company", "Straight Shooter", "Run With The Pack", "Burnin' Sky", "Desolation Angels", and "Rough Diamonds". Features the cardboard sleeve faithfully repricating the original UK LP artwork with a color inner bag and a Japanese obi. Japanese original release.

“To me, Honey Lingers is like a psychotic melodic patchwork of every single emotion we were having. It's retro, joyful, frustrating, snarky, and sad. It spits, cries, shags, and dances and that was what we felt like we were doing as we toured, did television, press and general promotion all over the globe.” Tracey Brynn, Voice of The Beehive. Reissued for the first time on vinyl since 1991, Voice of the Beehive’s Honey Lingers saw the US/UK band build further on their signature mix of jangly guitars, upbeat rhythms, and melodic pop hooks towards a glossier, more mainstream sound. Featuring three UK Top 40 singles, ‘Monsters and Angels,’ ‘I Think I Love You’ and ‘Perfect Place;’ the album reached Silver sales in the UK. This remastered and expanded 2CD edition features all the band’s many B-sides from the era, rare and unreleased remixes (including the 12” version of ‘Monsters and Angels’), and many unheard alternative and acoustic versions. There’s also previously unreleased tracks from the band live in concert, recorded at The Kentish Town & Country Club for BBC Radio One.

“To me, Honey Lingers is like a psychotic melodic patchwork of every single emotion we were having. It's retro, joyful, frustrating, snarky, and sad. It spits, cries, shags, and dances and that was what we felt like we were doing as we toured, did television, press and general promotion all over the globe.” Tracey Brynn, Voice of The Beehive. Reissued for the first time on vinyl since 1991, Voice of the Beehive’s Honey Lingers saw the US/UK band build further on their signature mix of jangly guitars, upbeat rhythms, and melodic pop hooks towards a glossier, more mainstream sound. Featuring three UK Top 40 singles, ‘Monsters and Angels,’ ‘I Think I Love You’ and ‘Perfect Place;’ the album reached Silver sales in the UK. This remastered and expanded 2CD edition features all the band’s many B-sides from the era, rare and unreleased remixes (including the 12” version of ‘Monsters and Angels’), and many unheard alternative and acoustic versions. There’s also previously unreleased tracks from the band live in concert, recorded at The Kentish Town & Country Club for BBC Radio One.

“To me, Honey Lingers is like a psychotic melodic patchwork of every single emotion we were having. It's retro, joyful, frustrating, snarky, and sad. It spits, cries, shags, and dances and that was what we felt like we were doing as we toured, did television, press and general promotion all over the globe.” Tracey Brynn, Voice of The Beehive. Reissued for the first time on vinyl since 1991, Voice of the Beehive’s Honey Lingers saw the US/UK band build further on their signature mix of jangly guitars, upbeat rhythms, and melodic pop hooks towards a glossier, more mainstream sound. Featuring three UK Top 40 singles, ‘Monsters and Angels,’ ‘I Think I Love You’ and ‘Perfect Place;’ the album reached Silver sales in the UK. This remastered and expanded 2CD edition features all the band’s many B-sides from the era, rare and unreleased remixes (including the 12” version of ‘Monsters and Angels’), and many unheard alternative and acoustic versions. There’s also previously unreleased tracks from the band live in concert, recorded at The Kentish Town & Country Club for BBC Radio One.

“To me, Honey Lingers is like a psychotic melodic patchwork of every single emotion we were having. It's retro, joyful, frustrating, snarky, and sad. It spits, cries, shags, and dances and that was what we felt like we were doing as we toured, did television, press and general promotion all over the globe.” Tracey Brynn, Voice of The Beehive. Reissued for the first time on vinyl since 1991, Voice of the Beehive’s Honey Lingers saw the US/UK band build further on their signature mix of jangly guitars, upbeat rhythms, and melodic pop hooks towards a glossier, more mainstream sound. Featuring three UK Top 40 singles, ‘Monsters and Angels,’ ‘I Think I Love You’ and ‘Perfect Place;’ the album reached Silver sales in the UK. This remastered and expanded 2CD edition features all the band’s many B-sides from the era, rare and unreleased remixes (including the 12” version of ‘Monsters and Angels’), and many unheard alternative and acoustic versions. There’s also previously unreleased tracks from the band live in concert, recorded at The Kentish Town & Country Club for BBC Radio One.

Kristoffer "Kris" Kristofferson is an American country music singer, songwriter, musician, and film actor. He is known for such hits as "Me and Bobby McGee", "For the Good Times", "Sunday Mornin' Comin' Down", and "Help Me Make It Through the Night". Kristofferson is the sole writer of most of his songs, and he has collaborated with various other figures of the Nashville scene such as Shel Silverstein. In 1985, Kristofferson joined fellow country artists Waylon Jennings, Willie Nelson and Johnny Cash in forming the country music supergroup "The Highwaymen". In 2004, Kristofferson was inducted into the Country Music Hall of Fame. Collection includes: Kristofferson (1970); The Silver Tongued Devil And I (1971); Border Lord (1972); Jesus Was A Capricorn (1972); Breakaway (1974) with Rita Coolidge; A Star Is Born (1976) with Barbra Streisand; Natural Act (1978) with Rita Coolidge; A Moment of Forever (1995); The Austin Sessions (1999); The Essential Kris Kristofferson (2004) 2CD; This Old Road (2006); Closer To The Bone (2009); Please Don't Tell Me How The Story Ends: The Publishing Demos 1968-72 (2010); Feeling Mortal (2012).

The Decade box chronicles the ten-year period after I moved to New York City in the mid-nineties. It's the decade where I caught air, to use a sports metaphor. I wrote more songs, made more albums and toured more than any period before or since. Maybe it was the excitement and energy of living in a new city–I'd always been in love with Manhattan and it was a "pinch me" period where I couldn't believe I was finally living here. I went out constantly, fully embraced the city and nightlife and sights and sounds and that excitement came out in the music. It was that thing that writers always dream about, that state where you can barely keep up with all the ideas you're having. I didn't have time for writer's block. I was just a stenographer to the muse that wouldn't leave me alone or let me slow down.