Sindon The Music Collection

20th Century Masters – The Millennium Collection: The Best of Eric Clapton is a compilation album by the British rock musician Eric Clapton. It was released on 15 June 2004, by Polydor Records and is part of Universal's 20th Century Masters – The Millennium Collection series. The compilation album has eleven tracks that Clapton recorded in the 1970s both as a solo artist and with Derek and the Dominos. Glyn Johns produced the album in association with Tom Dowd. Although the release sold 1,366,610 copies in the United States, it has not been certified platinum by the Recording Industry Association of America.

The Best of The Velvet Underground: The Millennium Collection is a compilation album by The Velvet Underground. It was initially released for the North American market by Polydor in October 2000 as part of their "20th Century Masters" series of budget compilations celebrating the turn of the century.

In their early days, saxophonist Jay Beckenstein molded Spyro Gyra into an ersatz fusion band that truly watered down the jazz-rock of the '70s, making way for the smooth contemporary instrumental sounds that followed. Some may have considered them pioneers, or an aberration. This 11-track CD from their early years is bookended by their best commercial tunes, "Morning Dance" and "Shaker Song." In between is the filler that rarely got radio airplay, although the light, breezy Caribbean sounds of "South Beach" and especially the robust funk of "Breakfast at Igor's" always hinted that good musicianship was behind a hollow exterior. This can be recommended to those admirers who likely already have this material, but jazz fans should search for the real thing, or explore the discography of Michael Brecker.

This package chronicles 30 years of Moddy Blues recordings. Track includes "Nights in White Satin," "Question," "The Voice," "I'm Just a Singer (In a Rock And Roll Band).

True, it's impossible for any of these ten-track collections to be definitive, but they're nevertheless solid samplers that don't feature a bad song in the bunch. For example, take the Who's 20th Century volume. Yes, there are some great, great songs missing, but what's here (with the possible exception of "Squeeze Box") is terrific, including "My Generation," "Happy Jack," "I Can See for Miles," "Magic Bus," "Pinball Wizard," "Behind Blue Eyes," "Who Are You," "Join Together," and "Won't Get Fooled Again." Serious fans will want something more extensive, and neophytes would be best served by more well-chosen collections, but this disc is quite entertaining, considering its length and price. That doesn't erase the ridiculousness of the series title, but the silliness is excusable when the music and the collections are good.

The Music Machine are one of the most respected and best loved American bands of the 1960s, renowned for their powerful sonic assault and intelligently crafted repertoire. The monochromatically-garbed combo’s hit ‘Talk Talk’ era was anthologised on Big Beat’s Ultimate Turn On compilation from 2006, and now the focus turns to the latter half of the Music Machine’s career.
The Bonniwell Music Machine was originally released in early 1968 and consisted of outtakes and single sides by the original Music Machine, along with newer recordings featuring the band’s second line-up: both incarnations headed by charismatic singer, songwriter and rock savant Sean Bonniwell. Now with this deluxe 2CD expanded reissue…

It's an irresistible budget-priced summary of their prime Motown recordings. There may be a couple of noteworthy songs missing, but many of their best-known songs are here, including "The Tracks of My Tears," "Ooo Baby Baby," "The Tears of a Clown" and "I Second That Emotion." Serious fans will want something more extensive, but this is an excellent introduction for neophytes and a great sampler for casual fans, considering its length and price. That doesn't erase the ridiculousness of the series title, but the silliness is excusable when the music and the collections are good.