From the spellbinding majesty of the Alhambra to the thunderous war machine called Conquistadores, Jon Mark has again captured the soul and spirit of a people in his music. The Alhambra was at one time the royal city/fortress of the Moors, looking down over Spanish Granada, with numerous and wonderful palaces, courtyards, fountains, and splenderous gardens. It was built over the course of centuries, and became the birthplace of countless legends of opulence, mighty rulers, intrigue, and romance. As in The Standing Stones of Callanish and Land of Merlin, Jon Mark weaves ancient melodies and rhythms into his electronic tapestry, this time portraying the elegance and grandeur of medieval Spain. With classical guitar accents, sounds of harp, trumpet, and the hot desert wind adding vivid colorings, Alhambra is yet another haunting soundtrack to give wings to ever-nomadic imaginations.
Spanning a three-year period between 2017-2019, Keith Tippett and Matthew Bourne performed a series of two-piano concerts - nearly all of which were recorded. Discus Music is incredibly proud to make the fruits of this vital work available as a double album, comprising of two beautifully-recorded performances from 2019: a set of individual studio pieces recorded at Leeds Conservatoire is paired with a remarkable live performance from Daylight Music at Union Chapel, London; which sadly proved to be Keith's final public statement.
Since Almoraima (1976) Paco had not recorded an album which we could call authentically Flamenco. Not like his early recordings, which centred on classic guitar toques as played in concert. On Siroco, he abandons for the moment the sound of The Sextet to mark out in eight pieces the new vanguard of Flamenco creation. A record for lovers of good music, a mature and worthy work.
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Alexander James Harvey was a Scottish rock and blues musician. Although his career spanned almost three decades, he is best remembered as the frontman of The Sensational Alex Harvey Band, with whom he built a reputation as an exciting live performer during the era of glam rock in the 1970s. Their first two albums, Framed (1972) and Next (1973), didn't sell, but in the fall of 1974 The Impossible Dream became Harvey's first chart record in the U.K. (It briefly made the American charts in March 1975.) Tomorrow Belongs to Me followed in the spring of 1975, hitting the Top Ten along with the Top Ten singles placing of Harvey's flamboyant cover of the Tom Jones hit "Delilah."