Slick

Manhole was the last of the experimental Jefferson Airplane, and Grace Slick's first official solo album. While Bark and Long John Silver, the final stages of the original Airplane, displayed the excessive psychedelic nature of the musicians within the confines of their group format, Blows Against the Empire, Sunfighter, and Baron Von Tollbooth and the Chrome Nun allowed for total artistic expression. Manhole concluded this phase with 1974's other release, the Jefferson Starship's Dragonfly. By taking the name from Paul Kantner's Blows Against the Empire solo project, Dragonfly began the renewed focus on commercial FM which would turn into Top 40 airplay. Manhole is the antithesis of that aim, but is itself a striking picture of Grace Slick as the debutante turned hippy being as musically radical as possible…

Guitarist Earl Slick never had a Plan B. Still doesn't. In fact, he doesn't believe in backup plans. "If you have a backup plan," said the guitarist who for decades worked alongside rock royalty including David Bowie and John Lennon among others, "then eventually you become the backup plan." Which explains – and fuels – Slick's new album, Fistful of Devils. Harnessing his musical roots as a child of the 60s when blue-based rock pushed its way to the front of the line and incorporating his decades as one of the most sought-after touring musicians in the business, Fistful is Slick as he's been from the start: an artist who fully mines the depths of the blues and guitar by drawing on a toolkit assembled from blues to glam to punk to rockabilly.

Credited to Paul Kantner, Grace Slick, and David Freiberg, Baron von Tollbooth & The Chrome Nun was the first album made by these erstwhile members of Jefferson Airplane since the breakup of that group. Like such other spin-off projects as Blows Against the Empire and Sunfighter, this one featured a supporting cast of San Francisco Bay Area musicians including present and former members of a variety of groups, such as the Grateful Dead (lead guitarist Jerry Garcia, percussionist Mickey Hart, and lyricist Robert Hunter, who wrote the words to "Harp Tree Lament"), Crosby, Stills, Nash & Young (singer David Crosby), and the Flying Burrito Brothers (bassist Chris Ethridge), as well as other former members of the Airplane and future members of Jefferson Starship…

Esoteric Recordings are pleased to announce the release of a new re-mastered edition of the legendary 1973 album by JEFFERSON AIRPLANE members Paul Kantner, Grace Slick and David Freiberg; Baron von Tollbooth and the Chrome Nun.

Welcome to the Wrecking Ball! is Grace Slick's 1981 follow-up to her solo album Dreams (1980). Her third solo album, it was released before stepping back into her old position in Jefferson Starship. The lyrics of the first track include numerous references to Slick's dislike of rock journalists and critics. The songs Slick wrote for side-B of the album are closer in style to the psychedelic songs of Jefferson Airplane than to the songs on the previous album Dreams, and the song "No More Heroes" contains vocal overlays and tape effects speeding up and slowing down the song. The album rose to #48 on the Billboard charts.

Manhole was the last of the experimental Jefferson Airplane, and Grace Slick's first official solo album. While Bark and Long John Silver, the final stages of the original Airplane, displayed the excessive psychedelic nature of the musicians within the confines of their group format, Blows Against the Empire, Sunfighter, and Baron Von Tollbooth and the Chrome Nun allowed for total artistic expression. Manhole concluded this phase with 1974's other release, the Jefferson Starship's Dragonfly. By taking the name from Paul Kantner's Blows Against the Empire solo project, Dragonfly began the renewed focus on commercial FM which would turn into Top 40 airplay. Manhole is the antithesis of that aim, but is itself a striking picture of Grace Slick as the debutante turned hippy being as musically radical as possible.