Maria del Rosario Mercedes Pilar Martinez Molina Baeza, professionally known by her stage name CHARO, is a Spanish-American actress, singer, comedienne and flamenco guitarist who was well known for her flamboyant style and her catchphrase "Cuchi-Cuchi.” Having married Latin superstar Xavier Cugat in 1966, who had taken Charo on as his protégé, this all round performer racked up a multitude of film and television appearances (alongside her musical career - she was voted Best Flamenco Guitarist twice in Guitar Player Magazine) throughout the 60's and 70's which helped to make her a household name in the U.S.A. Charo even had a spell headlining her own shows in Las Vegas.
Although they generally aren't thought of as being as innovative as their contemporaries the Beatles, the Rolling Stones or the Who, the Kinks, thanks to Ray Davies' ever evolving songwriting and brother Dave Davies' power chording, fuzzed-out guitar sound, may well have influenced the actual sound of later bands more than any of those groups. This fine single disc collection brings together the Kinks' Pye Records singles from the 1960s, and includes the power chord shot heard around the world, "You Really Got Me," as well as its close siblings "All Day and All of the Night," "Tired of Waiting for You" and "Til the End of the Day," and later and relatively more sophisticated hits like "Waterloo Sunset" and "Lola." The end result is a solid chronological survey of the Kinks' most commercial and influential period.
This DVD celebrates Chris Barber's 50th anniversary as a professional musician. Recorded at Germany's Hot Jazz Festival 2002, he presents his eleven-piece Big Chris Barber Band.One of the leaders of England's early-'60s trad jazz movement, Chris Barber (a solid trombonist) began leading his own bands in 1948. In 1954, trumpeter Pat Halcox joined Barber, and with the later additions of clarinetist Monty Sunshine, banjoist/singer Lonnie Donegan, and blues singer Ottilie Patterson, Barber had an all-star crew. Sunshine's hit version of 'Petite Fleur' made both Barber and the clarinetist into big names. Although his group was based in Dixieland, Barber has long been open-minded towards ragtime, swing, mainstream, blues, R&B, and rock.
Big Country comprised Stuart Adamson (formerly of Skids, vocals/guitar/keyboards), Bruce Watson (guitar/mandolin/sitar/vocals), Tony Butler (bass guitar/vocals) and Mark Brzezicki (drums/percussion/vocals). Before the recruitment of Butler and Brzezicki an early incarnation of Big Country was a five-piece band, featuring Peter Wishart (later of Runrig and now an SNP MP) on keyboards, his brother Alan on bass, and Clive Parker, drummer from Spizz Energi/Athletico Spizz '80. Parker had approached Adamson to join his new band after the demise of Skids.
Although they never wowed the critics like the Beatles did, for a time in the mid-'60s the Dave Clark Five were the Fab Four's main commercial competition, turning out hit after hit and selling an astounding 100 million records before all was said and done. This generous, 28-track, single-disc anthology has all the essentials (the DC5 were never really an album band but they sure knew how to make singles), including "Glad All Over," "Catch Us If You Can," "Over and Over," "Can't You See That She's Mine," "Bits and Pieces," and the gorgeous ballad "Because," among others, making this a more than adequate introduction and career survey of a wonderfully fun and often underrated band.