Something Red

2008 eight CD box set. Cherry Red Records marks it's 30th Anniversary in style with this lavish 185 track boxset. I'll Give You My Heart chronologically plots 61 single/EP a and B-sides from 1978 to 1983. Features 24 tracks from the U.K. Top 50 Indie chart including 12 Top 20 and two #1 hits. Includes cuts from Dead Kennedys, the Monochrome Set, Eyeless in Gaza, the Runaways, Marc Bolan, Everything But the Girl, Robert Wyatt and many more. A comprehensive 78 page booklet plots the story of Cherry Red Records and details many rare 7" and 12" picture sleeves. Features extensive interviews conducted by Alex Ogg with 'fly-on-the-wall' accounts from label founders and band members. Cherry Red.

Various - Ambition: The Cherry Red Story Vol.2
EAC+LOG+CUE | FLAC: 470 MB | Full Artwork: 92 MB | 5% Recovery Info
Label/Cat#: Cherry Red Rec. # cd bred 96 | Country/Year: UK 1991
Genre: Rock | Style: Punk Rock, Independent, Alternative

Cherry Red is a London-based independent record label formed in 1978. Cherry Red's role as one of the keynote labels of the early '80s independent scene was confirmed by the huge success of a budget compilation album compiled by Alway and released at Christmas 1982…

The Outsiders - Count For Something: Albums, Demos, Live, Unreleased 1976-1978 (2021) {5CD Set, Raw Edge–Cherry Red}
FLAC (tracks) - 16bit/44.1kHz - Digital Download -> 1.74 Gb | MP3 @320 -> 615 Mb | Cover | 5% repair rar
© 1976-78, 2021 Raw Edge Records / Cherry Red Records
Rock / British Punk / Post Punk / New Wave / Alternative

A huge selection of work from the Outsiders – not the group who recorded famously for Capitol in the late 60s, but an early UK punk combo who features some fantastic vocals and guitar from the young Adrian Borland! The Outsiders definitely have a sound that's in the spirit of 1977 – short, sharp, and very tight – but Borland also has chops on the guitar that most of his contemporaries do not – which means that even in the small space of these cuts, you'll get some guitar solos that link the music both backwards towards some more expansive British work, and the sound of the American scene of the 80s – when early punk groups started to learn their instruments, and solo a bit more.

What’s behind THE RED DOOR? For pianist Orrin Evans, that question has come to symbolize the daring path his life and music have taken over the course of his three-decade career. On his latest album, he once again flings that door open, delighting in the collaborators, friends, inspiration, and history that he finds inside.