Songs Of Hope And Comfort

Zero 7 is a downtempo act comprising Henry Binns and Sam Hardaker from the United Kingdom. The band’s songs feature vocals from Mozez, Sia Furler, Tina Dico, Sophie Barker and José González.

On 23rd April 2001 they released their debut album, Simple Things, to wide acclaim. The album featured collaborations with vocalists Mozez, Sia Furler, and Sophie Barker.

On 1st March 2004 they released their second album, When It Falls. In addition to the three vocalists from their first album, it also featured a collaboration with Tina Dico. In the same year, Binns also co-wrote the Emma Bunton track Breathing from her second solo album.

Their third album The Garden was released on 22nd May 2006 and features José González and Sia Furler. It is a departure from the trip-hop sound that defined their first two albums, Simple Things and When It Falls. The Garden has much more of an acoustic rather than electronic flavour to it. The Garden is also notable in that it marks the vocal debut of Henry Binns; and while he doesn’t want the record to be defined by such a fact, it does add another personality to the mix. He duets on PlayThrow It All Away, PlayThis Fine Social Scene and PlayWaiting to Die, and sings solo on PlayYour Place.

However, if there is one fact that Henry and Sam don’t want people to be confused by, it is the title of the album, The Garden. Taken from the album artwork, which is a series of collages designed by a friend of theirs, entitled, spookily enough, The Garden, the duo are keen for the album’s meaning not to get lost in translation.

John Elefante born March 18, 1958 in Levittown, New York, and his family soon moved to Long Beach, California. Growing up, he sang and performed drums for his family band, The Brotherhood. As an artist, his credits include writing and singing lead vocals on three multi-platinum albums; as producer, his albums have earned numerous Dove Awards, 4 Grammy Awards (most recently in 2000) and 10 Grammy nominations. He has maintained a close working relationship with his brother, Dino, throughout his career.

A hypothetical loomed over Devendra Banhart while he was writing Ma, one of those questions that changes your life no matter how you answer it. “I may not have a child,” he tells Apple Music, “and I thought, maybe I should make a record where I can put in everything I would want to say to them. And while doing that, you kind of realize, well, maybe it’s also everything I wish someone had said to me.” Building on 2013’s Mala and 2016’s Ape in Pink Marble, Ma finds Banhart continuing his evolution from freak-folk poster boy to one of the more subtle stylists in his field, touching on atmospheric bossa nova (“October 12”), string-saturated ballads (“Will I See You Tonight?”), and Velvet Underground-style folk-rock (“My Boyfriend’s in the Band”) in a way that feels playful but sophisticated, naive but self-possessed—the nature boy, housebroken but still alight with beautiful ideas. Amongst the songs are a handful of meditations on the plight of Venezuela, a country where Banhart spent most of his early years, and where much of his family still lives.