“Anybody fancy a season of BM re-releases with lots of juicy extras?” asked Brian May through his Instagram feed in 2020. “We’re working on a plan!!!” The first stage of that plan comes to fruition now, with the long-awaited reissue of the legendary Queen guitarist’s superlative debut solo album. Almost 30 years on from its initial release, Back To the Light stands as an intimate and expansive testament to the talent and tenacity of one of the foremost guitarists and songwriters of his generation.
In 2009, Eonian Records has been uncovering some classic metal acts that never got their due. Chicago’s Uzi is another band that showed a lot of potential, but by the time they relocated to L.A., the hair metal scene was dead. If this band would have made the move five years earlier, they could have made their mark on the music scene. There a quite a few cool rockers on Madhouse that are worth checking out.
Lou Gramm had been recording with Rochester, New York based band, Black Sheep, since the early 1970s. Releasing two LPs for Capitol, Lou Gramm met his future bandmate and songwriting partner Mick Jones in 1975 when Black Sheep opened for Spooky Tooth in Rochester. Mick Jones was looking for a singer for his new band in 1976, and Black Sheep having split at the end of 1975, Lou was free to audition for Mick’s new group, Foreigner. Releasing their self-titled album on Atlantic Records in 1977, and featuring solid gold rock classics as ‘Cold As Ice’ and ‘Feels Like The First Time’, Foreigner were an instant worldwide smash. Going from strength to strength, the band hit a commercial peak in 1984 with the “Agent Provocateur” album and the chart topping power ballad, ‘I Want To Know What Love Is’.
Not since the release of Tiamat's groundbreaking masterpiece Wildhoney in 1994 had the extreme metal scene witnessed such an overwhelming show of fan enthusiasm and uniform critical praise as that bestowed upon Blackwater Park, the astounding fifth effort from Swedish metal titans Opeth. A work of breathtaking creative breadth, Blackwater Park (named after an obscure German progressive rock outfit from the 1970s) keeps with Opeth's tradition by transcending the limits of death/black metal and repeatedly shattering the foundations of conventional songwriting, to boot. Rarely does a band manage to break new ground without losing touch with its roots, but Opeth has made a career of it - perhaps never as effortlessly as on this occasion…